Having thus explained his position by this extreme instance, signified
for the sake of clearness, Taine goes on to apply such general
considerations to four historic epochs, taken in all their complexity.
He discusses the aspect presented by art in ancient Greece, in the
feudal and Catholic Middle Ages, in the centralized monarchies of the
seventeenth century, and in the scientific, industrial democracy
in which we now live. Out of these we shall select, as perhaps the
simplest, the case of ancient Greece, still following our author
closely, though necessarily omitting many interesting details.
The ancient Greeks, observes Taine, understood life in a new and
original manner. Their energies were neither absorbed by a great
religious conception, as in the case of the Hindus and Egyptians, nor
by a vast social organization, as in the case of the Assyrians and
Persians, nor by a purely industrial and commercial regime, as in the
case of the Phoenicians and Carthaginians. Instead of a theocracy or a
rigid system of castes, instead of a monarchy with a hierarchy of civil
officials, the men of this race invented a peculiar institution, the
City, each city giving rise to others like itself, and from colony
to colony reproducing itself indefinitely. A single Greek city, for
instance, Miletos, produced three hundred other cities, colonizing with
them the entire coast of the Black Sea. Each city was substantially
self-ruling; and the idea of a coalescence of several cities into a
nation was one which the Greek mind rarely conceived, and never was able
to put into operation.
In these cities, labour was for the most part carried on by slaves.
In Athens there were four or five for each citizen, and in places like
Korinth and Aigina the slave population is said to have numbered four
or five hundred thousand. Besides, the Greek citizen had little need of
personal service. He lived out of doors, and, like most Southern people,
was comparatively abstemious in his habits. His dinners were slight, his
clothing was simple, his house was scantily furnished, being intended
chiefly for a den to sleep in.
Public-domain text, read in full here on John Shaqi.
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