This was at the point where the Park ends and Eighth Avenue begins
afresh, with a new acquisition in the clatter and grime and darkness of
the elevated structure. During his swift walk in the Park, it had been
simple to cogitate upon himself. The Park did not hold Quincy. It was a
rough, varied and knotted expanse of dirty snow and gaunt, dwarfed
trees. It had none of the mystery, none of the tonic, of a winter
woodland. It was a large back-yard of the City. Through it, cut wide,
cleared swathes for City vehicles and narrow ones, less cleared, more
tortuous, for those inhabitants that went on foot. There were few
people, though the day had been bright. It was too cold. New Yorkers
suffer such inclemency of life that the least inclemency of weather rids
them of spirit. So Quincy had advanced through the Park without a thrill
of nature. Though he was a messenger of her spirit--he who ran
bare-headed through the woods--this cut-in mass of rocks and trees had
no voice for him. The girders of steel and stone that on all sides bound
the Park have smothered the soul which that fragment of forest must once
have had. Central Park is a half-dead thing, at best. Its winter snows
are grey; its summer trees are grey; its autumn fever is a wasting chill
without the flame. Some day, inevitably, this must be true also of the
great Park in the Bronx.
But now, on the noisy Avenue, matters were different.
Quincy recalled his feeling that the City’s life spoke to him. Night was
there. Most of the shops were closed. But beneath the blinds of the
saloons, lights shone and a welcome winked. In the tall dun buildings,
all enterprise seemed choked like the space, into a rigid ever-recurrent
form. The movement on the Avenue was dogged, outcast, heavy. But its
dullness did not penetrate behind the brick and plaster. The trains
crashed past angrily as if they had preferred to linger, and also watch.
Beneath the structure, the lights seemed badly nourished. Those in the
houses were of a yellow that suggested malady and poison. It was the
life throbbing in these that spoke to Quincy. What did it say?
Something he had heard before: something he had already suffered. Again,
there was the strident tongue of metal and the lips that bled. Again,
the lips lay quiveringly forward, piteous and eloquent, while the tongue
lurked back and darted forth in the swings of pain. And behind the mouth
were words; below the rhythm was a music, as fire is beneath the smoke.
Public-domain text, read in full here on John Shaqi.
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