He had scarce noticed her before. She was a much used pigment in the bright picture’s pallet. But she had scarcely been a figure. Her general affability with her reserve kept her from distinctness. But now he saw her coming, directly toward him. Her air was not that of a rescuer. She seemed to be saying: “I know you are having a splendid time without me. But I’m greedy. I’m not having a splendid time without you.” This was half the battle. She began casually and soon they were seated together. Fitfully, others joined her. But he alone remained. She left him to persuade an eminent pianist to perform. But she returned to listen to the music. The artist played several complex pieces--modern--that stirred Quincy potently. “I can’t understand that music,” said Mrs. Deering. “I’m not trying to,” he said, “I get all relaxed and then it comes in and--understands me.” This answer seemed to impress her hugely. “That was an infinite answer, Mr. Burt,” she said. And, then, the pianist joined them. He was introduced to Mr. Carvalho. And his remark about the music was repeated, as a gem, word for word. In her mouth, it rang profound. Mr. Carvalho, also, was impressed. “Probably, you compose?” he asked. The bringing in of the pianist meant the loss of Mrs. Deering, who left now, and did not return. There had been fully half-an-hour of her company. And the energy which she had aroused propelled him happily through the remainder of the evening. As soon as he was free of Mr. Carvalho, to whom he had absolutely naught to say, and who forsook him as soon as he politely could in order to trail after Mrs. Deering, Quincy crossed into the study where the Professor held an intent group. At the rear of his room which Quincy, of course, knew, the door had been thrown open into a smaller chamber in which stood the piano. This was Mrs. Deering’s. It was rather closely furnished and fully ornamented. It contrasted strikingly with the naked, larger room. Here they had sat--close to the music. Quincy did not catch many details on this occasion. He recalled a languid couch, littered with barbaric cushions--the modern German school--and bowered by a canopy of orange silk that turned the blue base below it into a liquid marine color. He recalled several cozy arm-chairs wherein guests were ensconced deeply, a tea-table of Japanese wood upon which was a case of _cloisonné_. Out of it, the guests took cigarettes. This was essentially a setting for the hostess. Her figure, thin and tense and simply draped in a dull violet dress, stood out nobly in this rather lavish mass. Even so, the generous and ample form of the Professor was well marked against the scant rigor of his study.