He sat there, cold under the heavens. A fresh wind pierced him. He shivered with it. He arose. He sought out the squatting road that tumbled back into the town. And he was glad to find it; glad of the vulgar lights that blinked against the noiseless houses, glad of the rattle of the car that brought bed nearer. Like a magnet had the Hand drawn from him that which could be at home with silence and the stars. And like the tremor of a harp, the voice came on the wind: “I keep you until each time that you seek Me. Then, shall you come forth and receive.” XII The rift was started by a visit home. The Burts had moved into an apartment near the Hudson. In fact, from the windows of the drawing room and sitting room one’s sight dodged several towering structures and met the river, flat and cool below the city. Beyond, rose the serried strokes of the Palisades, purple for the most part, athwart the blue haze of New York. It was a splendid apartment and Quincy’s family had moved to it after his return to college. So this was his first view. All the old furniture was gone. Sarah and Adelaide had had a fresh start. The seven years since Harriet therefore marked their change in the new trappings. For these years had nourished Adelaide. And her word was final in all things pertaining to the household. Long since, Sarah had sighingly accepted that “she had no heart” to manage servants nor the “trumpery” to decorate a parlor. It was by savage encroachments of this sort upon her ancient territory, that Sarah’s languor and decomposition were effected. It requires intellect to be a happy idle woman. As they sat down to dinner something in the room’s blatancy gave the boy pause--rendered cloud-like the texture of the life he had been living. The room was panelled high in oak. The inevitable favrille-glass inverted bowl loomed over the table. Above, at the ceiling, was another cluster of lights. These shed their unimaginative glow. And the chandelier was dark. It seemed menacing to Quincy, like a rich thing without a spirit. But it was indefeasibly real. There was a side-board, also of oak, cut by a swinging door, radiant with silver. Upon the mantel stood four porcelain vases which Sarah had seen and rebelliously acquired. They were the room’s rococo residue--and the sole things in it Sarah could warm up to. They shrieked with their dove-blue and their rose-pink against the room’s sombre munificence. Between them stood a chaste, dull wooden clock--by Thomas, whose every tick was a protest against its neighbors.