It was late when Quincy had done dining. The restaurant had been nearly
empty. He alone sat without a neighbor. A huge woman in a red waist that
made her lips look blue fed her lover--a wisp of a man--with a spoon;
fed him soup. All of the restaurant laughed at this. In a corner were
two slack-chinned Jewish men talking business. They also stopped and
laughed. Quincy felt nothing.
He faced uptown. He had dined at a well-known eating place on Grand
Street. His idea was to run the gamut of the City. Now, he was on the
Bowery.
The night was bitterly, humidly cold. It ate into his face and hands
like innumerable pointed icicles. Clotted throngs of revelers--pale
boys, daubed girls--shouting, pushing, scrambling past him. Pied horns
at their mouths, feather mops to tickle with in their unsavory hands. A
crass atmosphere of roughness, ugly and strained and starved. The dingy
Bowery rolled ahead with its sepulchral lodging-houses, its crashing
elevated structure, its glint of drink. Squalid eating shops in a
pathetic holiday regalia: American flags, red ruching, vari-colored
placards bidding “Happy New Year!” enflamed the dirty windows like paint
on a grey visage. Turkeys, apples, meat-pies swelled the decoration.
Prices and meretricious welcomes were iced together on the panes. All of
it laughed gutturally.
A mob before the theater, sweating within, frozen without--pushing,
cursing, empty. Clouds of boys, dark like flies in the glitter of an
arc-lamp before the lurid posters of the “movies.” A cry with a laugh
encased. Quincy felt nothing.
Then a dismal stretch of darkness--Broadway below the section of it that
is aflame with life. Huge dead buildings here, cars echoing back from
the grey walls as lambent metal would fall if thrown against them.
Sparse passers-by, hurrying, freezing, absent. The cold air seemed to
shiver, to splinter like powdered glass. A derelict, coatless and
gloveless, shuffled uptown as an injured moth sways toward a lamp.
And then, beyond, between the gaping walls of the chill orifice,
the gleam of fire, the light-limned towers, the flaring
incandescence--Broadway that lives.
In the open square was a vast Christmas tree, gawdy and colorless with
varicolored electric lamps. Deep about it lay the shadow of humanity.
Under its paltry dazzle of illumination that the chill air crushed
inward was an open stand. A band spluttered religious music. Upon a wide
sheet aloft, the words of an old hymn were lanterned. Beyond, stood a
great tower, dim and frigid, topped by a clock and an electric star. The
sheltered volunteers cried out the song after the band. Their voices
were hard, laggard, frozen also. A stray voice rose in scanty
concord from the crowd. But for the most part, the crowd was
silent--murmurously, sullenly watchful. A leader exhorted the mass to
sing. The arc-lamps crashed against the cold. The police shredded the
thick maze of humans into shape. The band blared. Quincy felt nothing.
Public-domain text, read in full here on John Shaqi.
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