A laborious task is the nurturing of pride in one who has lived long
without it. Its growth is an imperceptible evolving. No member of the
household--not Marsden who saw through idleness, not Adelaide who saw
through love--was well aware of it in Quincy. To them, he was merely
“behaving better.” His moroseness was less militant. His silence had
less of a sneer and a scowl. But silence it was still. Quincy scarce
knew of it himself, until the climax that with one shock bared his
transfiguration. But until that climax, it seemed none the less to
Quincy that life’s pain had subsided; that his surroundings were more
bearable. He still felt the selfish attitude of Rhoda; his father’s
stretches of ignoring him and sudden spurts of tyranny still wracked
him; his mother was no less inadequate; Marsden was still the mordant
sphinx. But now, a new element within him told him to abide his
time--bade him grow and hope.
It was not until the spring that he learned how pervasively this new and
hidden sense had fretted all of his being; how strongly it had attuned
the fibres of his soul to its own message.
* * * * *
It was April and late afternoon. All of the Burt children were in the
sitting room, on the second floor. Jonas was in town for the Easter
holidays. And Rhoda had just returned from a visit to Savannah where,
incidentally, she had become engaged. So there was a general human glow
about the place.
It was a conventionally furnished room, eloquent of the overpaid
house-decorator. The walls were a thick, red silk above high panellings
in oak. Two sets of curtains, red-plush and cream-colored net, shut out
the gleam of the low sun that fell athwart the street. The chairs were
lavishly upholstered, in light green with silvered wood. In the right
corner of the room was Adelaide’s piano--Rhoda did not play. The center
table was covered in brocade, bronze tinged. Upon it were
ornaments--sculptured book-racks in mahogany, sumptuous paper cutters, a
fan of ivory lace, a leather sécrétaire embossed in gold--all of it
curiously travestied with a litter of cheap magazines. Against the left
wall was a sofa and on it sat Adelaide, and Jonas puffing a pipe. At his
left was a great settle with collapsible back, book-rest and
foot-guard--the throne of Marsden. Rhoda had drawn her chair beside him.
They were looking together at a comic weekly, and munching from a box of
candy conveniently between them. On the room’s other side, near the
piano, was Quincy,--relaxed far back in a high arm-chair, his legs
dangling.
* * * * *
Marsden and Rhoda were seriously at their jokes, enjoying the candies
together. Jonas pulled at his pipe, a smirk of ruddy satisfaction on his
face. Adelaide was drowsy. She had set aside her book. There was little
general conversation. And yet, an atmosphere of contentment pervaded the
heavy, over-furnished room.
Public-domain text, read in full here on John Shaqi.
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