People were walking here. Their foot-fall was like a noise heard in a
dream and doubted. Their words were like the impact of water falling on
stone. Their forms were comets flashing from nowhere into nowhere
through a sombre and thick infinitude. They left a wake of drab. They
were innumerable. And the sum of all their wakes made almost an
atmosphere. This cloyed and choked and somehow had a sneer in it. So
Quincy walked fast. And as he did so, the forms blocked in upon the flow
of being with less frequence, less consistency. The Park itself had
become the undertone. The curving of the paths gave to his motion a
tonality. The bushes lay deep in their beds of grass. Above was a lacing
of trees, a shameless cover for the naked night. For so the trees seemed
to Quincy. The bright sky that shone through and above them was like the
hot skin of some empassioned creature--a thing consumed in sex. And the
short trees and ruffled bushes that lay before it were like shreds of
lace on a vast nudity. They pricked it, they heightened it; even they
adorned it. They did not hide it. And somehow, it was suggested to
Quincy that they meant to hide it. Quincy’s lips were parted as he
walked. And there was moisture on them. Also, there was a veil of
dryness on his eyes. And the sky reclined before him like a woman’s
breast--like Rhoda’s. Its slope was infinitely slight, delicate yet
vast. He recalled the time when he had seen his sister. So he knew! And
knowing, so he enjoyed. But in this overwhelming symbol entered more
than that experience of sight. This mighty, pulsing sweep of sky gave
him a glow, half-memory and half-eternal. For what are instincts but
unconscious recollections? So, perhaps, it was natural that of a sudden,
his mother came to him, stayed there, pervaded him; and in the spreading
grew so vague that his mind caught no glimpse of her.
Quincy walked, then, beneath this naked breast with its empurpled shreds
of green. And his mind slept--slept perhaps in the same cadence wherein
he had slept once, tight in a woman’s arms. And meantime, his feet beat
on their way, even as had then his heart. And his lips were moist,
taking in life.
Quincy was tired, so he sat on a bench. His fingers dug in the damp
paint. He brought them before his eyes. They were stained slightly
green. This was a jarring note. It disturbed him. It caused a separate
vibrating. A tendril of his mind quivered, as if in warning that he was
to begin to think. The motion projected by this faint jarring upon
himself had to be absorbed. It had to be absorbed either in mind or
body. If in the former, he would think; if in the latter, he would walk.
He walked.
Public-domain text, read in full here on John Shaqi.
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