“I know,” she rebuked him; “keep still and listen. I’ll run into the
third room from the corner. All that end of the Atrium is of brick and
cement, not a beam anywhere and the ceilings are vaulted; the fire will
be a long time reaching me there. You go up Pearl Dealers’ Lane to the
corner of the New Street. From the corner measure thirty-eight feet
along the New Street. At that point have a hole smashed through the
wall. There are hordes of firemen about with their axes, sledge-hammers
and pick-axes. They’ll hack a hole through for you in no time. The wall
is thin there; we had a temporary door made there three years ago for
the plumbers when they were putting in the new bath-rooms.
“Now, every moment is precious. Hold my hand and help me to make my dash
for the portal, but drop my hand and turn back at the portal; no man
may enter the Atrium, except a Pontiff or a workman. When I squeeze your
fingers, drop my hand and make your dash back.
“Don’t try to check me, husband; self last and patriotism first, for
every Roman of us all. We have waited thirty years for each other and
we’ve hardly had time for three kisses yet. But if we must lose each
other to save Rome, then we must.
“If I fail, good-bye!” Then she turned and called the trembling slaves
to come nearer.
She ordered:
“Dash that water over us, one over him, one over me. Don’t waste any,
pour it on our heads. Now go where you please!”
Dripping, hand in hand, they ran over the cinder-strewn pavement,
under the rain of blazing fragments, up the Sacred Street, between the
furnace-hot walls.
Under the long arcade they were safe.
At its further end she had to face a dash of some ten yards through the
blazing brands, the very air seeming on fire.
“I’m afraid!” she cried. “Be brave, Almo, and give me courage!” Her
fingers pressed his, their hands parted.
Her hands over her face she dashed forward.
He saw her vanish through the portal.
He ran back.
Inside the Atrium Brinnaria turned to her right, passed through a small
door, traversed four dark rooms and groped, kneeling on the floor.
Her fingers found five earthenware caskets in a row.
Swiftly she felt them.
The third she opened.
Carefully she fingered the statuette inside, running the tips of her
finger-ends along the carved folds of the gown, over the helmet, over
the fingers clasping the spear.
With the statuette in her hands she stood up. Tearing off her veil she
wrapped the statuette in it.
Back she went to the peristyle, and ran round it to her right. Under the
roof of the colonnade she was safe from the rain of brands, but even
in there the heat was appalling. She felt as if the very marble columns
must crumble beside her as she ran.
Public-domain text, read in full here on John Shaqi.
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