But then there is a temptation to think that vivid, picturesque,
stimulating writers can do more to develop this side of history than
patient, laborious, just writers. One begins to be inclined to forgive
anything but dulness in a writer; to value vitality above accuracy,
colour above truth. One is tempted to feel that the researches of
erudite historians end only in proving that white is not so white, and
black not so black as one had thought. That generous persons had a
seamy side; that dark and villainous characters had much to be urged in
excuse for their misdeeds. This is evidently a wrong frame of mind, and
one is disposed to say that one must pursue truth before everything.
But then comes in the difficulty that truth is so often not to be
ascertained; that documentary evidence is incomplete, and that even
documents themselves do not reveal motives. Of course, the perfect
combination would be to have great erudition, great common sense and
justice, and great enthusiasm and vigour as well. It is obviously a
disadvantage to have a historian who suppresses vital facts because
they do not fit in with a preconceived view of characters. But still I
find it hard to resist the conviction that, from the educational point
of view, stimulus is more important than exactness. It is more
important that a boy should take a side, should admire and abhor, than
that he should have very good reasons for doing so. For it is character
and imagination that we want to affect rather than the mastery of
minute points and subtleties.
Thus, from an educational point of view, I should consider that Froude
was a better writer than Freeman; just as I should consider it more
important that a boy should care for Virgil than that he should be sure
that he had the best text.
I think that what I feel to be the most desirable thing of all is, that
boys should learn somehow to care for history--however prejudiced a
view they take of it--when they are young; and that, when they are
older, they should correct misapprehensions, and try to arrive at a
more complete and just view.
Then I go on to my further point, and here I find myself in a still
darker region of doubt. I must look upon it, I suppose, as a direct
assault of the Evil One, and hold out the shield of faith against the
fiery darts.
Public-domain text, read in full here on John Shaqi.
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