The Useful Arts Employed in the Construction of Dwelling Houses. Second EditionAnonymous
History
The Useful Arts Employed in the Construction of Dwelling Houses. Second Edition
Anonymous
Architecture, Domestic; Building materials; Dwellings -- Design and construction
A clear idea may be formed of this part of the manufacture by the
annexed illustration, which represents a section of three vessels, on
different levels. The uppermost vessel, which is heated by the waste
heat of the chimney, supplies warm water to the animal matter contained
in the second vessel: the third vessel receives the liquid gelatine,
and retains it in a fluid state, while the solid impurities are being
deposited.
[Illustration]
The gelatine is drawn off from this third vessel into buckets, and
conveyed to the congealing boxes. These boxes are of deal, of a square
form, but somewhat narrower at bottom than at top. The liquid glue is
poured through funnels, provided with filter-cloths, into the boxes
until they are entirely filled. This process is conducted in a very
cool and dry apartment, paved with stone and kept very clean, so that
any glue which may be spilt may be recovered. In twelve or eighteen
hours the liquid glue becomes sufficiently firm for the next process,
which is performed in an upper story, furnished with ventilating
windows, so as to admit air on all sides. The boxes are inverted on a
moistened table, so that the cake of jelly may not adhere to it: this
cake is cut into horizontal layers, by means of a brass wire, stretched
in a frame, and is guided by rulers, so disposed as to regulate the
thickness of the cake of glue. The slices thus formed are carefully
lifted off, and placed on nets stretched in wooden frames. As these
frames are filled they are placed over each other, with an interval of
about three inches between every two frames, so that the air may have
free access. Each frame is so arranged as to slide in and out like a
drawer, to allow the cakes to be turned, which is done two or three
times every day.
Public-domain text, read in full here on John Shaqi.
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