The Useful Arts Employed in the Construction of Dwelling Houses. Second EditionAnonymous
History
The Useful Arts Employed in the Construction of Dwelling Houses. Second Edition
Anonymous
Architecture, Domestic; Building materials; Dwellings -- Design and construction
The small cost and great durability of frescos are not the least
of their advantages. It was feared that the smoke of London would
soon destroy our frescos, but Professor Hess stated that “if frescos
were painted in the open air in London, the rain would be the best
picture-cleaner.” Indeed, competent authorities agree that pure water
and a soft sponge are the best means for cleaning frescos from the
effects of smoke. That the change effected by time on the colours
is to increase their effect. The great enemy to fresco is a wall
constitutionally damp, in which lime in too new a state has been
employed, or new timber or imperfectly burnt bricks. The nitre which
sometimes accumulates on walls is also very destructive.
Nor are frescos such permanent fixtures as is generally imagined. Some
ingenious Italians have succeeded perfectly in removing large frescos
from one wall and applying them securely to another. The colours in
fresco do not penetrate very deep, and the thin layer of pigment and
lime of which the painting consists, may be removed by glueing several
layers of calico to the wall: a slight force is then sufficient to
detach the painting: it is removed to its new bed, and when firmly
attached, the cloths and glue may be removed by warm water.
* * * * *
We must now leave the Reader in possession of the dwelling-house which
we have endeavoured to build for him. If we have not _furnished_ it,
or described the modes in which the various articles of furniture are
made, it was not because the subject is devoid of interest, far from
it; but because we were anxious not to injure the completeness and
interest of the preceding details by attempting too much within the
limits of this little volume.
FOOTNOTES:
[7] The term Cartoon is derived from _curtone_, the augmentative of
_carta_, the Italian for _paper_.
LONDON:
SAVILL AND EDWARDS, PRINTERS,
CHANDOS STREET.
Transcriber’s Notes
In a few cases, obvious errors in punctuation have been fixed.
Page 28: “the standstones of which” changed to “the sandstones of which”
Page 141: “the vessel _e_” changed to “the vessel _c_”
Page 213: “upon the cieling” changed to “upon the ceiling”
Public-domain text, read in full here on John Shaqi.
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