The Usurper: An Episode in Japanese HistoryGautier, Judith
History
The Usurper: An Episode in Japanese History
Gautier, Judith
French fiction -- Translations into English; Japan -- History -- Fiction
The men were no less fond of dress; crape, brocade, and velvet not
being forbidden for their wear. Some had an embroidered scarf on one
shoulder, one end hanging forward; the longer the scarf was, the higher
the social rank of the wearer. When he saluted a superior he must bend
until the scarf touched the ground. Therefore the longer it was, the
less he had to bend. A party of nobles appearing incognito, their faces
hidden by black crape hoods, showing nothing but their eyes, filled the
lower row of boxes. But one of these, very near the stage, remained
empty; it was suddenly thrown open, and a woman appeared.
The spectators could not repress a cry of amazement upon recognizing
Yodogimi. Was it possible?--the Shogun's mother entering a theatre
openly! Had she lost all respect for custom and decorum, and for
herself! The veil of light gauze, fastened to the big pins in her
headdress, and covering her face, although it might show her desire
to preserve her incognito, in no way masked the Princess; she was
recognized at the first glance. Still, surprise soon gave way to
admiration. Every one was glad she had not hidden her charming
face, which the transparent veil did but embellish. Besides, the
extraordinary dress worn by Yodogimi took the audience by storm. Her
robe was woven of pale gold, covered with fine pearls and grains of
crystal; she seemed to radiate light, as if the stars were imprisoned
in the folds of the stuff. The Princess smiled as she saw how promptly
the first sensation of displeasure was overcome by admiration. She
took her seat slowly; and when she was settled in her place, a masked
warrior was seen standing behind her.
Then the faint clamor of a gong, the trill of a couple of flutes, and
a few muffled blows on a tambourine were heard. The musicians took up
their instruments; the play was about to begin.
The audience turned to the stage; it was closed by a curtain covered
with huge lozenges, and in the centre of which appeared, upon a
scarlet disk, an immense Chinese character, standing for the name of
"Humming-Top," the famous and unrivalled actor. A rich silk merchant
had presented this curtain in his honor; it was not to be changed until
Humming-Top should be surpassed or equalled by one of his colleagues.
The curtain moved; and a man, drawing it slightly aside, came forward.
The instant he appeared, the hubbub which filled the hall ceased
abruptly. The man saluted the audience with all sorts of grimaces.
He was dressed like a wealthy lord, and held in his hands a paper
cylinder, which he began to unroll.
Public-domain text, read in full here on John Shaqi.
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