The Usurper: An Episode in Japanese HistoryGautier, Judith
History
The Usurper: An Episode in Japanese History
Gautier, Judith
French fiction -- Translations into English; Japan -- History -- Fiction
This was the Day-Break Inn. It was here that Omiti had for many long
days endured the cruel fate imposed upon her. She suffered in silence,
with a proud resignation which accepts neither pity nor consolation.
She sacrificed herself to save the lord of the kingdom. She yielded
without a murmur to the consequences of her sacrifice; but she
sometimes thought that it would have been more merciful to kill her.
She had no wish to see the King again, although she had not ceased to
love him. Her love was born of a maiden's dream. Before she over saw
Fide-Yori, that young prince, said to be handsome and amiable, filled
her thoughts; and as she embroidered, she mused and wove a web of fancy
about his image. When she discovered the horrid plot which threatened
the life of him who filled her soul, she felt as if she should die of
terror; but her longing to save him gave her the strength and courage
of a hero. In her single interview with the King, in the lemon grove,
she saw that her heart had not erred, and that she should never love
any other man. But the idea that he might love her never even occurred
to her; her modesty forbade it; and since, sold for the general
pleasure, she had sunk to the lowest grade in the social scale, the
mere thought of again standing in Fide-Yori's presence made her blush
with shame.
Often rich merchants from the town would bring their wives to the
tea-house, to spend a few hours in the company of the gaizha girls, who
instructed them in the art of acquiring elegant manners, taught them
to play the samsin, and to compose verses. Sometimes the fine lady,
crouching opposite Omiti, listening, with half-open lips, to the girl's
plaintive tones, was surprised to see sudden tears flood the singer's
eyes. But she supposed it was a seductive wile; and going home, would
strive to weep as she struck the strings of her instrument.
Beneath its snowy mantle, behind its closed windows, and although it
appeared quite silent from without, the tea-house was full of people
and of noise.
Public-domain text, read in full here on John Shaqi.
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