The Usurper: An Episode in Japanese HistoryGautier, Judith
History
The Usurper: An Episode in Japanese History
Gautier, Judith
French fiction -- Translations into English; Japan -- History -- Fiction
He soon returned, his countenance disfigured by wrath. "Too late!" he
cried; "the Prince of Nagato was right: Hieyas has fled!"
CHAPTER VIII.
THE CASTLE OF OWARI.
On the shores of the Pacific Ocean, at the top of a rocky cliff,
stands the fortress of the Princes of Owari. Its walls, pierced with
loopholes, are so constructed as to follow the lay of the land. They
are masked here and there by groups of trees and shrubs, whose fresh
verdure is in happy contrast with the ragged walls of rust-colored rock.
From the summit of the fortress the view is very fine. A little bay
rounds to the foot of the hill, and affords safe shelter for the junks
and barks which skim the clear water in all directions; farther away
the blue waves of the Pacific trace a darker line against the sky. On
the land-ward side rises a chain of mountains, cultivated in patches to
their very tops. Between the mountains lie valleys, where we may see
villages nestling in a grove, near a brook; then the valleys end in the
heart of more hills.
A broad and well-kept road winds along the undulating ground to the
foot of the castle of Owari. This road, known as the Tokaido, was built
by Taiko-Sama; it intersects the entire kingdom, traversing the domains
of the Daimios, and is under the sole jurisdiction of the Shogun.
The Prince who ruled over the province of Owari was at this time living
in his castle.
About the third hour after noon on the day that Hieyas fled from Osaka,
the sentinel posted on the loftiest tower of the palace of Owari cried
out that he saw a troop of horsemen galloping along the Tokaido. The
Prince was at the moment in one of the courts of the castle, crouched
upon his heels, his hands resting on his thighs. He was attending a
lesson in hara-kiri taken by his young son.
The child, seated on a mat in the centre of the court, held in both
hands a short, blunt sword, and raised his pretty artless face, already
serious in its cast, towards his instructor, seated opposite him. Women
were looking on from a gallery above; and their dresses made bright
spots of color against the delicate tints of the carved wood-work.
Enormous butterflies, birds, flowers, or variegated balls were
embroidered on their robes; every head was bristling with big yellow
tortoise-shell pins. They chattered together with a thousand bewitching
airs and graces.
In the court, leaning against the upright post of a bronze lantern, a
young girl in a closely fitting dress of sky-blue crape, with all the
folds drawn to the front, fixed an absent gaze upon the little lord; in
her hand she held a screen, upon which was painted a humming-bird.
Public-domain text, read in full here on John Shaqi.
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