According to tradition, the house when built was left unfinished, there being merely the shell without ceilings, and having unplastered walls, in which state some of the upper rooms remained till about 50 years ago. This was undoubtedly erected by the Wharton family. The Whartons (in what year there is no record), sold Reagill Grange and half the demesne to Dr. Lancelot Daws of Barton Kirk, and the other half to Sir John Lowther. Dr. L. Daws was educated at Queen's College, Oxford, and afterwards took the degree of Doctor of Divinity at one of the Scotch Universities. He was instituted vicar of Barton in 1608. He was also rector of Asby, instituted in 1618. He was likewise prebendary of Carlisle, and, according to Dr. Burn, died in 1653; so that the date, 1652, for the erection of the Grange, is somewhat questionable, if built by the Whartons. [Illustration: PLEASURE GROUNDS AT REAGILL LAID OUT BY THOMAS BLAND.] But the vicissitudes of life and fortune are sometimes curious. It is well known that the Wharton property "never did any luck," and it is quite possible Reagill Grange had to be sold under some strain as soon as built, and it might be purchased by Dr. Daws just before he died. It remained in the possession of this family up to 1700, at which time an addition has been made to the north side, where there is a lintel of a doorway bearing that date, with the initials T & E D., with a bird, partly intended as heraldic. This must have therefore been done by Thomas Daws, nephew of Lancelot. Soon after this, the Grange, with the remaining half of the demesne, was sold to Sir John Lowther, to whose descendants it now belongs, and has ever since been in the occupation of the Thwaytes family as tenants. (HERE THE TEXT ENDS). [The view of the pleasure ground, no description of which was written, is taken about half way from the entrance. The recumbent figure on the right is Venus, which, with the lion, is now almost hidden by bushes. Beyond was the "Shakespeare corner," with scenes from his plays; facing the reader stands Sir Walter Scott, and below him three bas-reliefs illustrating his characters. The paintings are gone, and the arch is covered with a mass of ivy; it will be seen that one was mounted even in the wall of the farm house. To the left is a corner of the terrace, beyond which the lower lawn continues between the two great vases. The panel below and to the left of the further vase represents Science trimming the lamp of Life. The grounds fall far short of their former glory: only an artist could have kept them what they were; but though it misses "the touch of a vanished hand," the quiet garden is still a place of great interest and beauty.] TRANSCRIBER'S NOTE: Obvious printer errors have been corrected. Otherwise, the author's original spelling, punctuation and hyphenation have been left intact. End of Project Gutenberg's The Vale of Lyvennet, by John Salkeld Bland