The Valet's Tragedy, and Other StudiesLang, Andrew
History
The Valet's Tragedy, and Other Studies
Lang, Andrew
History; World history
In an article by Mr. Kitton, in Literature (June 24, 1899, p. 699), this
learned Dickensite says: ‘The authorship of this version’ (Cruikshank’s)
‘of an ancient ballad and of the accompanying notes has given rise to
much controversy, and whether Dickens or Thackeray was responsible for
them is still a matter of conjecture, although what little evidence
there is seems to favour Thackeray.’
For the ballad neither Thackeray nor Dickens is responsible. The Old
Woman’s text settles that question: the ballad is a degraded Volkslied.
As to the notes, internal evidence for once is explicit. The notes are
Thackeray’s. Any one who doubts has only to compare Thackeray’s notes to
his prize poem on ‘Timbuctoo.’
The banter, in the notes, is academic banter, that of a university man,
who is mocking the notes of learned editors. This humour is not
the humour of Dickens, who, however, may very well have written the
Introduction to Cruikshank’s version. That morceau is in quite a
different taste and style. I ought, in fairness, to add the following
note from Mr. J. B. Keene, which may be thought to overthrow belief in
Thackeray’s authorship of the notes:--
Dear Sir,--Your paper in the ‘Cornhill’ for this month on the Mystery of
Lord Bateman interested me greatly, but I must beg to differ from you as
to the authorship of the Notes, and for this reason.
I have before me a copy of the first edition of the ‘Loving Ballad’
which was bought by my father soon after it was issued. At that
time--somewhere about 1840--there was a frequent visitor at our house,
named Burnett, who had married a sister of Charles Dickens, and who gave
us the story of its production.
He said, as you state, that Cruikshank had got the words from a
pot-house singer, but the locality he named was Whitechapel,* where he
was looking out for characters. He added that Cruikshank sung or hummed
the tune to him, and he gave it the musical notation which follows the
preface. He also said that Charles Dickens wrote the notes. His personal
connection with the work and his relation to Dickens are, I think, fair
evidence on the question.
I am, dear Sir, Yours truly,
J. B. KEENE.
Kingsmead House, 1 Hartham Road, Camden Road, N., Feb. 13,1900.
Mr. Keene’s evidence may, perhaps, settle the question. But, if Dickens
wrote the Introduction, that might be confused in Mr. Burnett’s memory
with the Notes, from internal evidence the work of Thackeray. If not,
then in the Notes we find a new aspect of the inexhaustible humour
of Dickens. It is certain, at all events, that neither Dickens nor
Thackeray was the author of the ‘Loving Ballad.’
P.S.--The preface to the ballad says Battle Bridge.
XI. THE QUEEN’S MARIE
Little did my mother think
That day she cradled me
What land I was to travel in,
Or what death I should die.
Public-domain text, read in full here on John Shaqi.
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