Shirley’s gown was of pure white: her arms were swathed in tulle,
crossed with straps of seed-pearl, over which hung long semi-flowing
sleeves of satin, and from her shoulders rose a stiff pointed medieval
collar of Venetian lace, against whose pale traceries her bronze hair
glowed with rosy lights. The edge of the square-cut corsage was powdered
with the pearls and against their sheen her breast and neck had the soft
creamy ivory of magnolia buds. Her straight plain train of satin,
knotted with fresh white rose-buds (Nancy Chalmers had labored for a
frantic half-hour in the dressing-room for this effect) was held by the
seven-year-old Byloe twins, in beribboned knickerbockers, duly impressed
with the grandeur of their privilege and grimly intent on acquitting
themselves with glory.
Shirley’s face was still touched with the surprise that had swept it as
Valiant had stepped to her side. She had looked to see him in the
conventional panoply a sober-sided masculine mode decrees. [Pg 312]What she had
beheld was a figure that might have stepped out of an Elizabethan
picture-frame. He was in deep purple slashed with gold. A cloak of thin
crimson velvet narrowly edged with ermine hung from his shoulders, lined
with tissue-like cloth-of-gold. From the rolling brim of his hat swept a
curling purple plume. He wore a slender dress-sword, and an order set
with brilliants sparkled on his breast.
The costume had been one he had worn at a fancy ball of the winter
before. It had been made from a painting at Windsor of one of the Dukes
of Buckingham, and it made a perfect foil for Shirley’s white.
The eleven knights of the tourney, each with his chosen lady, if less
splendid, were tricked out in sufficiently gorgeous attire. The Knight
of Castlewood was in olive velveteen slashed with yellow, with Nancy
Chalmers, in flowered panniers and beaded pompadour, on his arm. The
Lord of Brandon wore black and silver, and Westover’s champion was in
forest green. Many an ancient brocade had been awakened for the nonce
from its lavender bed, and ruffs and gold-braid were at no premium.
To the twanging of the deft black fingers, they passed in gorgeous array
between files of low-cut gowns and flower-like faces and masculine
swallow-tails, to the yellow parlor. Once there the music [Pg 313]ceased with a
splendid crash, the eleven knights each dropped upon one knee, the
eleven ladies-in-waiting curtsied low, and Shirley, seated upon the
dais, leaned her burnished head to receive the crown. What though the
bauble was but bristol-board, its jeweled chasing but tinsel and paste?
On her head it glowed and trembled, a true diadem. As Valiant set the
glittering thing on those rich and wonderful coils, the music of her
presence was singing a swift melody in his blood.
Public-domain text, read in full here on John Shaqi.
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