“It didn’t touch his honor, of course,” replied the major. “We could all
agree on that. He was within his rights. But it wasn’t like a Valiant.”
They were at the parting now and the major held out his hand. “Oh,
well,” he said, “it’s long enough ago, and there’s nothing against his
son. I like the young chap, Southall. He’s his father all over again,
eh?”
“When I first saw him,” said the doctor huskily, “I thought I had slid
back thirty years and that our old Beauty Valiant was lying there before
me. I loved him, Bristow, and somehow—whatever happened that day at the
Hemlocks—it couldn’t make a damned bit of difference to me!”
[Pg 223]
CHAPTER XXVI
THE CALL OF THE ROSES
In the great hall at Damory Court the candles in their brass
wall-sconces blinked back from the polished parquetry and the shining
fire-dogs, filling the rather solemn gloom with an air of warmth and
creature-comfort.
Leaning against the newel-post, Valiant gazed about him. How different
it all looked from the night of his coming!
It occurred to him with a kind of wonder that a fortnight ago he had
never known this house existed. Then he had conceived the old hectic
life the only one worth knowing, the be-all and end-all of modern
felicity. It was as if a single stroke had cut his life in two parts
which had instantly recoiled as far asunder as the poles. Strangely, the
new seemed more familiar than the old; there had been moments when he
remembered the past almost as in the placid day one recalls a thriving
dream of the night before, which, itself unreal, has left an
overpowering impression behind it. Little fragments of the old nightly
mosaic—the bitt-music across the dulled glisten of pounded asphalt,
[Pg 224]the featherbone girl flaring high in air in electric rain, a pointed
clock-tower spiking the upper night-gloom, the faint halitus of musk
from a downy theater-wrap—fluttered about him. But all seemed far away,
hackneyed, shop-worn, as banal as the scenery of an opera.
He began to walk up and down the floor, teasing pricks of restlessness
urging him. He opened the door and passed into the unlighted
dining-room. On the sideboard sat a silver loving-cup that had arrived
the day before in a huge box with his books and knick-knacks. He had won
it at polo. He lifted it, fingering its carved handles. He remembered
that when that particular score had been made, Katharine Fargo had sat
in one of the drags at the side-line.
But the memory evoked no thrill. Instead, the thought of her
palely-cold, passionless beauty called up another mobile thoroughbred
face instinct with quick flashings of mirth and hauteur. Again he felt
the fierce clutch of small fingers, as they fought with his in that
struggle for his life. Each line of that face stood before him—the
arching brows, the cameo-delicacy of profile, the magnolia skin and hair
like a brown-gold cloud across the sun.
Public-domain text, read in full here on John Shaqi.
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