It was mid-night when Elinor Benton arrived at Templeton Druid’s studio
apartment—a delightful hour, she thought, shivering deliciously, to be
arriving anywhere, and unaccompanied. Since she had made her début, it
was not at all unusual for her to be dancing in the small hours and
twelve o’clock usually saw the top of the excitement. But always she had
conventionally arrived at dance or reception or whatever gayety along
with those of all her set at much more seasonable hours. Templeton and
all his friends were so excitingly different. But still when she had
thrown aside her ermine wrap with the solicitous aid of her hero
himself, who did not neglect to give her arm an affectionate squeeze,
she found herself, among the bizarre appointments of the actor’s
home—and his astonishingly elated and at ease guests, a bit diffident
and shy. But not for long. For an ingénue, Elinor Benton found she was
able with great ease to adapt herself to the unfamiliar atmosphere.
Perhaps it may have been something in the weird lighting effects;
perhaps the subtle perfume of the Orient that rose in hazy fumes from
swinging censers, the dim reflection of the lighted sconces on mirrors
that made the restless guests seem figures in a pageant and far off,
with eerie faces that so effectually drowned her diffidence and made her
senses whirl with abandon like the fumes of a heady wine. Or maybe it
was the possessive, lover-like attitude of Templeton Druid himself that
bade her throw aside stilted convention and become one of those with
whom her hero surrounded himself. However, it may have been, Elinor
Benton, débutante, at the end of ten minutes of her first visit to
Templeton Druid’s apartments might have been long a woman of the world,
the stage world, which, until the time of his opportune recognition by
Geraldine DeLacy had been the man’s only world.
Introductions, had she but known it, were of no account in that
assemblage, but Templeton Druid remembering her social training, did not
dispense with them with his favored guest. To each, as he made the
circle of the long studio room, he introduced her as “his dearest little
friend”—not forgetting to add that she was the daughter of Hugh Benton,
the financier.
Another round of cocktails was served. The somewhat blasé guests took
heart. Dinner was announced, and the fun began to wage fast and furious.
Elinor was enjoying every minute of it. Here was a party worth while,
she thought. What a wonderful crowd of whole-hearted, happy-go-lucky
people. And she would soon be one of them—after she and Templeton were
married! She would give all sorts of dinners and parties, and invite
this same crowd of charming, congenial people.
Public-domain text, read in full here on John Shaqi.
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