He tossed impatiently on the hard bed Filomena had made up for him in
the bailiff's parlour, and was afoot again with the first light.
Stepping out into the farm-yard he looked abroad over the flat grey face
of the land. Around the keep stretched the new-ploughed fields and the
pollarded mulberry orchards; but these, with the clustered hovels of the
village, formed a mere islet in the surrounding waste of marsh and
woodland. The scene symbolised fitly enough of social conditions of the
country: the over-crowded peasantry huddled on their scant patches of
arable ground, while miles of barren land represented the feudal rights
that hemmed them in on every side.
Odo walked across the yard to the chapel. On the threshold he stumbled
over a heap of mulberry-shoots and a broken plough-share. Twilight held
the place; but as he stood there the frescoes started out in the slant
of the sunrise like dead faces floating to the surface of a river. Dead
faces, yes: plaintive spectres of his childish fears and longings, lost
in the harsh daylight of experience. He had forgotten the very dreams
they stood for: Lethe flowed between and only one voice reached across
the torrent. It was that of Saint Francis, lover of the poor...
The morning was hot as Odo drove toward Pianura, and limping ahead of
him in the midday glare he presently saw the figure of a hump-backed man
in a decent black dress and three-cornered hat. There was something
familiar in the man's gait, and in the shape of his large head, poised
on narrow stooping shoulders, and as the carriage drew abreast of him,
Odo, leaning from the window, cried out, "Brutus--this must be Brutus!"
"Your excellency has the advantage of me," said the hunchback, turning
on him a thin face lit by the keen eyes that had once searched his
childish soul.
Odo met the rebuff with a smile. "Does that," said he, "prevent my
suggesting that you might continue your way more comfortably in my
carriage? The road is hot and dusty, and, as you see, I am in want of
company."
The pedestrian, who seemed unprepared for this affable rejoinder, had
the sheepish air of a man whose rudeness has missed the mark.
"Why, sir," said he, recovering himself, "comfort is all a matter of
habit, and I daresay the jolting of your carriage might seem to me more
unpleasant than the heat and dust of the road, to which necessity has
long since accustomed me."
"In that case," returned Odo with increasing amusement, "you will have
the additional merit of sacrificing your pleasure to add to mine."
The hunchback stared. "And what have you or yours ever done for me," he
retorted, "that I should sacrifice to your pleasure even the wretched
privilege of being dusted by the wheels of your coach?"
"Why, that," replied Odo, "is a question I can scarce answer till you
give me the opportunity of naming myself.--If you are indeed Carlo
Gamba," he continued, "I am your old friend and companion Odo Valsecca."
Public-domain text, read in full here on John Shaqi.
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