Mississippi River Valley -- Social life and customs
As an Americanizing influence, important as a means of breaking-up
race affiliations that facilitate the “delivery” of votes, Chicago has
developed a type of recreation park that gives promise of the best
results. The first of these were opened in the South Park district
in 1905. There are now thirty-five such centres, which, without
paralleling or infringing upon the work of other social agencies,
greatly widen the scope of the city’s social service. These parks
comprise a playground with baseball diamond, tennis-courts, an outdoor
swimming-pool, playgrounds for young children, and a field-house
containing a large assembly-hall, club-rooms, a branch library, and
shower-baths with locker-rooms for men and women. Skating is offered
as a winter diversion, and the halls may be used for dances, dramatic,
musical, and other neighborhood entertainments. Clubs organized
for the study of civic questions meet in these houses; there are
special classes for the instruction of foreigners in the mystery
of citizenship; and schemes of welfare work are discussed in the
neighborhood councils that are encouraged to debate municipal problems
and to initiate new methods of social service. A typical centre is
Dvorák Park, ninety-five per cent of whose patrons are Bohemians.
Among its organizations are a Bohemian Old Settlers’ Club and a
Servant Girls’ Chorus. Colonel H. C. Carbaugh, of the Civil Service
Board of South Park Commissioners, in an instructive volume, “Human
Welfare Work in Chicago,” calls these park centres “public community
clearing-houses.” They appeal the more strongly to the neighborhoods
they serve from the fact that they are provided by the municipality,
and, while under careful and sympathetic supervision, are in a very
true sense the property of the people. Visits are exchanged by the
musical, gymnastic, or other societies of the several communities, with
a view to promoting fellowship between widely separated neighborhoods.
Public-domain text, read in full here on John Shaqi.
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