When in 1880 Lady Augusta Fanhope married the fourth Earl of Clarehaven she brought neither beauty nor wealth to that dissolute and extravagant man of thirty-five, who as a subaltern in the Blues had earned a kind of fame by the size of his debts and by the length of his whiskers. Soon after he succeeded to the title fashion made him cut short the whiskers; but his debts increased yearly, and if he had not died during his son's minority there would have been little left for that son to inherit. Nobody understood why he married Lady Augusta, herself least of all. Even when he was still alive she had taken refuge in the Anglican religion; when he died she presented a memorial window by Burne-Jones to Little Cherrington church. By now, when he had been dead ten years and his son was bringing an actress to rule over Clare Court, the dowager had come to regard her late husband as a saint. Fashion had trimmed his whiskers; time had softened his memory; the stained-glass window had done the rest. "I'm glad your father never lived to see these dreadful Radicals sweeping the country," she said to her daughters on this January day that before it faded into darkness would bring such changes to Clare. What the dowager really meant to express was her relief that the last earl was not alive to meet his daughter-in-law; he ought not to have been easily shocked, but marriage with an actress would certainly have shocked him greatly, and his language when shocked was bad. The effect of Dorothy's letter had already worn a little thin; the dowager's pre-figuration of her approximated more closely every moment to an old standing opinion of actresses she had formed from a large collection of letters and photographs left behind by her husband, which she had lacked the courage to burn unread. Her daughters Arabella and Constantia argued that this Dorothy must be a "top-holer" to make their brother so desperate. Last month he had taken them for several long walks and waxed so eloquent over her beauty and charm and virtue that they had accepted his point of view; with less to lose than their mother and unaware of their father's weakness, they saw no reason why an actress should not make Tony as good a wife as anybody. "But love is blind," said the dowager. None knew the truth of this better than she. "And in any case, dear children, beauty is only skin-deep." "Luckily for us, mother," said Arabella. "I think you exaggerate your plainness," the dowager observed. "You do not make the least attempt to bring out your good features. You, dearest Bella, have very nice ankles; but if you wear shoes like that and never pull up your stockings their slimness escapes the eye. And you, Connie, have really beautiful ears; but when you jam your cap down on your head like that you cause them to protrude in a way that cannot be considered becoming."