England -- Social life and customs -- 20th century -- Fiction; Social classes -- England -- Fiction
So much was she playing a part of long ago that instinctively she had
used her old invincible gesture of lightly touching a man's sleeve. That
also was easier by telephone.
"I could lend a good deal," twanged the voice of the buyer along the
wires. "I could lend a good deal."
"Very well then," said Dorothy. "Lend _me_ the money."
"By telephone? Not good enough. Come, come, let's be frank, let's be
brutally frank. You know you're worth twenty Derby winners to me; but,
as I said, women are more capricious than horses. I'm no longer a
schoolboy. Are you in earnest or not?"
"Of course I'm in earnest," she said. "Why should you think I wasn't?"
"So much in earnest that you'll come to my rooms this afternoon and tell
me so?"
"Yes, if you like," she replied, without hesitating. "But you must prove
to me that you're in earnest too. Send me something on account."
"How much do you want?"
"Oh, I don't know," she said. "About fifty thousand pounds I suppose."
Dorothy's sense of proportion about large sums of money had been
destroyed by her husband's extravagant betting. When one lives with a
man who will win £50,000 at Ascot and lose it all and more the following
week, it is difficult to preserve a table of comparative values. She
supposed that £50,000 would represent about half the price of Clare, and
the importance she attributed to Clare gave money such a relative
unimportance that she saw nothing even faintly ridiculous in demanding a
sum of this magnitude from Houston. Perhaps he was impressed by the size
of her demand into believing that she really was in earnest about
accepting his proposals; even a financier like himself might be excused
for supposing that a woman, one of the most beautiful women in England
and a countess to boot, does not ask for £50,000 without being in
earnest. At the same time it appealed to his sense of humor that any
woman, even England's most beautiful countess, should ask for £50,000 by
telephone.
"Why, it's not even a note of hand," he chuckled, and his laugh,
traveling from Albany to Halfmoon Street along the wires, lost its mirth
on the way and reached Dorothy with the sound of a dropped banjo.
"Well, I must have something to prove you're in earnest," she argued,
fiercely. "Tony is on his way to see you now. He'll be with you in
another minute. Tell him that as a friend you can't let him sell Clare.
Offer him enough to tide him over the Derby. I'm willing to risk
everything on that."
"Are you trying to tell me that if Clarehaven pulls off the Derby our
arrangement is canceled? Ring off. Nothing doing, dear lady."
Away in Albany she heard a bell shrill; it was like a prompter's warning
of the play's ending.
Public-domain text, read in full here on John Shaqi.
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