England -- Social life and customs -- 20th century -- Fiction; Social classes -- England -- Fiction
Lady Clarehaven might have been excused for feeling a heroine, a Monna
Vanna in the tent of the conqueror, when she found herself in the big
square room which she now visited for the first time. She did not
indulge herself with heroics, however; it seemed to her so natural for
her to save Clare that the adventure was as commonplace as when once in
early days on the stage she had pawned a piece of jewelry she did not
like in order to save a set of furs to which she attached a great
importance. She threw back the opera-cloak and sat down in an arm-chair
to wait for Houston with as little perturbation as if she were waiting
for a dinner guest in her own drawing-room.
Suddenly he appeared from an inner doorway and, turning on several more
lights, looked at her. He was in evening dress, and the sudden glare
gave the impression that he was going to perform; he looked more like an
intelligent ape than ever when he was in evening dress.
"Well, here I am," she said.
Her coolness seemed to confuse him, and he began to ask her how she
liked his rooms, to say that he had been lucky enough to take them on as
they stood from a man called Prescott who had killed himself here. One
had the impression that he had bought the furniture for a song on
account of the unpleasant associations with a suicide.
"I'm rather tired of values," said Dorothy. "Clarehaven has been valuing
the flat at Halfmoon Street."
"Will you have something to drink?"
"Do you think that I require stimulating? Thanks, I don't."
It was curious that this man, who in Rhodes had appeared so sinister and
powerful and almost irresistible, should here in this decorous room with
only a background of good-breeding appear fussy and ineffective.
"But let me recommend you to have a drink," Dorothy laughed. "For, now
that you've got me, you're as awkward as a baboon with a porcelain
teacup."
Her instinct told her that she must dispel this atmosphere of
embarrassment unless she wanted to be bowed out of the chambers as from
those of a money-lender who had been compelled most respectfully and
without offense to refuse a loan to her ladyship. The allusion to the
baboon was sufficient. The decorum of Albany was shattered and Houston
held her in his arms.
At that moment the servant tapped at the door and announced that Lord
Clarehaven was in the anteroom; before Houston could hustle his quaking
servant outside and lock the door Tony appeared in the entrance, a
riding-crop in his hands.
Public-domain text, read in full here on John Shaqi.
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