England -- Social life and customs -- 20th century -- Fiction; Social classes -- England -- Fiction
Tony in his last letter had proposed that he and she should go on the
stage when he came home, which of course would have been ridiculous;
but, now that Tony was dead, there was surely nothing to prevent her
return to the stage. When she got back to town she might go and ask Sir
John Richards if he could not find a part in the autumn production at
the Vanity Theater. Whatever was now lacking to her voice, whatever the
years had added to her appearance, and notwithstanding the wear and tear
that had added very little, would be counterbalanced in the eyes of the
British public by the privilege of reading upon the program the name of
the Countess of Clarehaven. Nothing was any longer owing to the family
name; no, indeed, except Bella still bore it, and if third-rate stories
were to appear in third-rate magazines under the signature of Arabella
Clare, there was no reason why a bill of the play should not advertise
the Countess of Clare. It happened that Harry Tufton had come down to
Cherrington to assist at the memorial service which was to be held in
Clarehaven church. Dorothy supposed that he was anxious to keep in with
the Chatfields, and in speaking to him about her project she was not
actuated by any desire for the sympathy of an old friend. She asked his
advice in a practical spirit, because he was connected with the theater,
and when he tried to discourage her by hinting at the fickleness of
public affection, she discerned in his opposition to her plan nothing
except the tired anxiety of one who was being importuned by an old
friend to give the best advice compatible with the minimum of trouble to
himself. Tufton's doubtfulness of her capacity still to attract the
favor of an audience had the effect of strengthening her resolve to test
his opinion; she asked him with that indifferent smile of hers, which
had lost none of its magic of provocation, if he really thought that the
British public was as fickle as himself. Tufton protested against the
imputation, and excused himself for the evasion of friendship implicit
in his attitude by pleading that the War Office kept him so very busy
nowadays.
"Of course it was an awful blow when they wouldn't accept me for active
service," he said, earnestly. "Heart, don't you know."
"Oh, your heart is weak," she inquired, with a mocking air of concern.
"I suppose the very idea of war produced palpitations. Don't strain it
going up-stairs in Whitehall."
"Somebody must do the work at home," he said, irritably.
"Yes, I feel so sorry for you poor Cinderellas," she murmured. "But
never mind, you'll always be able to feel that if it wasn't for you the
poor fellows at the front, don't you know, wouldn't be able to get
along. I suppose you call yourselves the noble army of martyrs?"
It had been fun to twist the tail of that ship's rat, Dorothy thought,
when she saw him hurry away from Cherrington to catch the first train
back to town after the service.
Public-domain text, read in full here on John Shaqi.
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