England -- Social life and customs -- 20th century -- Fiction; Social classes -- England -- Fiction
Not even the Irishman's passion for originality is strong enough to
resist the common impulse of human nature to follow the course of the
sun; he must migrate westward like the Saxon before him, and it is
surely remarkable to find a theater holding out against a social
tendency to which an Irishman succumbs. When a flood of new
thoroughfares submerged old theatrical London in the last years of the
nineteenth century and created a new theaterdom farther west; when the
barbarous hoardings of the Strand Improvement obliterated so many
resorts of leisure, and, like the people of Croton, the London County
Council diverted a stream of traffic to flow where once was the Sybaris
of Holywell Street and the Opéra Comique; when the Lyceum and the
Adelphi changed the quality of their wares; when Terry's became a cinema
palace and His Grace of Bedford sold Drury Lane overnight--the Vanity
was almost the only theater that preserved its position and its
character. The peak of Ararat was not more welcome to the water-weary
eyes of Noah than to patrons of a theater as old-fashioned as the Ark
was the sight of that little island upon which the Vanity maintained
itself amid the wrecks and ruins of the engulfed Strand. Close by, as if
to commemorate the friendly rivalry of Church and Stage, upon another
island St. Clement Dane's cleft the traffic of Fleet Street long after
Temple Bar had been swept away; and it was agreeably appropriate that
the church where Doctor Johnson, our greatest conservative, was wont to
bow his head before the slow grinding of God's mills should have for
company in a visible protest against the illusion of progress that
monument of English conservatism, the Vanity Theater. More secure upon
its island in the Strand than the Eddystone Lighthouse upon its rock in
the Channel, the illuminated portico of the Vanity blazed away as
brightly as it ever did before the destruction of the mean streets that
used to obscure its glory. Not far off, the Savoy Hotel served as
prologue and epilogue to its entertainments; and no alliance between one
of the new theaters in Piccadilly and the Ritz or Carlton could yet
claim to have superseded that time-honored alliance between the Vanity
and the Savoy.
Public-domain text, read in full here on John Shaqi.
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