England -- Social life and customs -- 20th century -- Fiction; Social classes -- England -- Fiction
It would be unfair at this stage in Dorothy's career to accuse her of
formulating any definite plan to win a coronet, still less of casting
her eye upon Lord Clarehaven's coronet in particular; but during these
sun-drenched August days she did resolve to do nothing that might spoil
the fulfilment of the augury. Left to herself, and free from the
criticism of friends or relations, it would have been strange if
Dorothy's estimate of her own powers had not been rather heightened by
so much lazy self-contemplation. One day she had met an acquaintance
marooned like herself upon this desert isle of holidays, and on being
asked what she was doing in London at such a season, had replied
truthfully enough that she was just looking round; but she did not add
that she was looking round at herself in a mirror. This cloistral
felicity lasted as long as the lime-trees in West Kensington kept their
summer greenery; at the end of August the leaves began to wither, the
rumble of returning cabs was heard more often every day, and the first
rehearsal of "The River Girl" was called. Dorothy's seclusion was over;
of the girls who passed through the Vanity stage-door that August
morning there was none so fresh as she.
"How odd," she thought, "that only this time last year the notion of
going on the stage had never even entered my head."
Dorothy had paused for a moment on the threshold of the theater, and was
listening while the door swung to and fro behind her and syncopated the
dull beat of the traffic in the Strand to a sort of ragtime tune. How
different these rehearsals were going to be from those of last year in
the Lisle Street club-room, and how right she had been to escape from
the provinces so quickly.
Public-domain text, read in full here on John Shaqi.
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