England -- Social life and customs -- 20th century -- Fiction; Social classes -- England -- Fiction
"You mustn't be cynical," he warned her.
"Can one help it?"
"You've no reason to be cynical. I suppose Clarehaven is almost my most
intimate friend, and I can assure you that you have no reason to be
cynical. Difficulties there have been, difficulties there will be, but
always remember that I'm your friend whatever happens."
And most of all her friend, Dorothy thought, if she happened to become a
countess.
After this tea-party Sylvia and Lily often came to Halfmoon Mansions;
when in July Dorothy and Olive took a cottage at Sonning they were often
invited down there for picnics on the Thames. The other girls at the
theater could not understand why it was necessary to look beyond
Maidenhead for repose and refreshment from singing in a punt every
night; and although such of them as were invited to Sonning enjoyed
themselves, they always went back to town more firmly convinced than
ever that Dolly Lonsdale was a most mysterious girl. Yet it ought not to
have been impossible to understand the pleasure of hurrying away from
the Vanity to catch the eleven forty-five at Paddington, and of
alighting from the hot train about a quarter to one of a warm summer
night to be met by a scent of honeysuckle in the station road, to see
the white flowers in their garden and the thatched roof of their cottage
against the faintly luminous sky, and, while they paused for a moment to
fumble in their bags among the powder-puffs and pocket-mirrors for the
big key of their door, to listen to the train's murmur still audible far
away in the stillness of the level country beyond.
"I ought always to live in the country," said Dorothy, gravely.
But in August rehearsals for "The Duke and the Dairymaid" began, and the
cottage at Sonning had to be given up. The new production at the Vanity
included a trio between the ducal tenor and two subsidiary dairymaids,
to be one of whom Dorothy was chosen by the management. She might fairly
consider that her new part was exactly three times as good as that she
had played in the sextet; moreover, her salary was doubled, and by what
could only be considered a stroke of genuine luck Queenie Molyneux, who
would certainly have been chosen for the other dairymaid, was lured away
to the rival production of "My Mistake" at the Frivolity Theater. Millie
Cunliffe, who took her place, had a finer mouth than Queenie's, which
was too large and expressive for anything except lines like those with
which she led the Pink Quartet at the Frivolity; but Millie had not such
a beautiful mouth as Dorothy, and it was not nearly so apt at singing or
speaking; her ankles, too, were not so slim and shapely as Dorothy's,
nor were they made for dancing like hers. So Dorothy enjoyed a vogue
with gods and mortals, and was now plainly visible to the naked eye in
the constellation of musical comedy.
IV
Public-domain text, read in full here on John Shaqi.
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