Some flowers have almost certainly become more or less completely
peloric through reversion. _Corydalis tuberosa_ properly has one of its
two nectaries colourless, destitute of nectar, only half the size of
the other, and {59} therefore, to a certain extent, in a rudimentary
state; the pistil is curved towards the perfect nectary, and the hood,
formed of the inner petals, slips off the pistil and stamens in one
direction alone, so that, when a bee sucks the perfect nectary, the
stigma and stamens are exposed and rubbed against the insect's body. In
several closely allied genera, as in Dielytra, &c., there are two
perfect nectaries, the pistil is straight, and the hood slips off on
either side, according as the bee sucks either nectary. Now, I have
examined several flowers of _Corydalis tuberosa_, in which both
nectaries were equally developed and contained nectar; in this we see
only the redevelopment of a partially aborted organ; but with this
redevelopment the pistil becomes straight, and the hood slips off in
either direction; so that these flowers have acquired the perfect
structure, so well adapted for insect agency, of Dielytra and its
allies. We cannot attribute these coadapted modifications to chance, or
to correlated variability; we must attribute them to reversion to a
primordial condition of the species.
The peloric flowers of Pelargonium have their five petals in all
respects alike, and there is no nectary; so that they resemble the
symmetrical flowers of the closely allied Geranium-genus; but the
alternate stamens are also sometimes destitute of anthers, the
shortened filaments being left as rudiments, and in this respect they
resemble the symmetrical flowers of the closely allied genus, Erodium.
Hence we are led to look at the peloric flowers of Pelargonium as
having probably reverted to the state of some primordial form, the
progenitor of the three closely related genera of Pelargonium,
Geranium, and Erodium.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account