Love stories, American; United States -- Social life and customs -- 20th century -- Fiction
Eleanor said things like this many times a day. Straws! Straws! And they
showed the way the wind was blowing. Sometimes, in the suffocating dust
of fear that the wind raised she even forgot her purpose of making
Maurice happy, in a violent urge to make it impossible for Edith
Houghton to triumph over her. But the other thought--the crazy, nobler
thought!--was, on the whole, dominant: "Maurice would be happy if he had
a child. I couldn't give him a child of my own, but I can give him
Jacky." Yet once in a while she balanced the advantages and
disadvantages of the one way in which Jacky could be given: _Lily_?
Could Maurice endure Lily? She thought of that parlor, of Lily's
vulgarity, of the raucous note in her voice when those flashes of anger
pierced like claws through the furry softness of her good nature; she
thought of the reek of scent on the handkerchief. Could he endure Lily?
Yet she was efficient; she would make him comfortable. "I never made
him comfortable," she thought. "And he doesn't love her; so I wouldn't
so terribly mind her being here--any more than I'd mind a housekeeper.
But I wouldn't want her to call him 'Maurice.' I think I'll put that
into my letter to him. I'll say that I will ask, as a last favor, that
he will not let her call him 'Maurice.'"
For by this time she had added another straw to the pile of rubbish in
her mind: _she would write him a letter_. In it she would tell him that
she was going to ... die, so that he could marry Lily and have Jacky!
Then came the mental postscript, which would not, of course, be written;
she would make it possible for him to marry Lily--_and impossible for
him to marry Edith_! And by and by she got so close to her mean and
noble purpose--a gift in one dead hand and a sword in the other!--that
she began to think of ways and means. How could she die? She couldn't
buy morphine without a prescription, and she couldn't possibly get a
prescription. But there were other things that people did,--dreadful
things! She knew she couldn't do anything "dreadful." Maurice had a
revolver in his bureau drawer, upstairs--but she didn't know how to
make it "go off"; and if she had known, she couldn't do it; it would
be "dreadful." Well; a rope? No! Horrible! She had once seen a
picture ... she shuddered at the memory of that picture. _That_ was
impossible! Sometimes any way--every way!--seemed impossible. Once,
wandering aimlessly about the thawing back yard, she stood for a long
time at the iron gate, staring at the glimmer, a block away, of the
river--"our river," Maurice used to call it. But in town, "their"
river--flowing!--flowing! was filmed with oil, and washed against slimy
piles, and carried a hideous flotsam of human rubbish; once down below
the bridge she had seen a drowned cat slopping back and forth among
orange skins and straw bottle covers. The river, in town, was as
"dreadful" as those other impossible things! Back in the meadows it was
Public-domain text, read in full here on John Shaqi.
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