None of all this could be seen in its present. The marble steps outside were worn down like the teeth of an old horse, and as yellow; the iron railings were bent and cankered by rust; the front door was in blisters; the halls bare, steps uncarpeted, and the spindling mahogany balusters showed here and there substitutes of pine. Nor did the occupants revive any of its old-time charm. The basement held a grocery--a kindling-wood, ice and potato sort of grocery; the parlor boasted a merchant tailor--much pressing and repairing, with now and then a whole suit; the second floor front was given over to a wig-maker and the second story back to a manicure. Here the tide of the commercial and the commonplace stopped--stopped just short of the third floor where old Peter Griggs lived. You would understand why if you knew the man. Just as this particular old house possessed two distinct personalities--one of the past and the other of the present--so did the occupant of the third floor. Downtown in the custom house, where he was employed (he had something to do with invoices), he was just plain Mr. Griggs--a short, crisp, "Yes and so" little man--exact, precise and absurdly correct: never, in all his life, had he made a mistake. Up in these rooms on the third floor he was dear old Peter--or Pete--or Griggsy--or whatever his many friends loved best to call him. Up here, too, he was the merriest companion possible; giving out as much as he absorbed, and always with his heart turned inside out. That he had been for more than thirty years fastened to a high stool facing his desk bespoke neither political influence nor the backing of rich friends. Nobody, really, had ever wanted his place. If they did they never dared ask for it--not above their breath. They would as soon have thought of ousting the old clock from its perch in the rotunda, or moving one of the great columns that faced the street. So he just stayed on ticking away at his post, quite like the old clock itself, and getting stiffer and stiffer in the line of his duty--quite like the columns--and getting more and more covered with the dust of long habit--quite like both of them. This dust, being outside dust, and never sinking the thousandth part of an inch below the surface, left its mark on the man beneath as a live coal fading and whitening leaves its covering of ashes on the spark. These two--the ashes and the spark--made up the sum of Peter's individuality. The ash part was what he offered to the world of routine--the world he hated. The spark part--cheery, warm, enthusiastic, full of dreams, of imaginings, with an absorbing love for little bits of beauty, such as old Satsuma, Cloisonne, quaint miniatures and the like--all good, and yet within reach of his purse--this part he gave to his friends.