Convents -- Fiction; Spain -- History -- 19th century -- Fiction; Young women -- Spain -- Fiction
Nevertheless she absented herself. And Marcos' attempts to find
diversions for her, ceased with a suspicious suddenness. She fell into
the habit of using the drawing-room which was immediately beneath the
sick-room, and spent much of her time at the piano there.
"It keeps Marcos quiet," she explained airily to Sarrion, and vouchsafed
nothing further on the subject.
Chiefly because the music of Handel and Beethoven alone had been
encouraged by her professors, Juanita had learnt with some enthusiasm the
folk songs of the Basques, considered worthy only of the attention of the
people. She had a pretty voice, round and young with strange low notes in
it that seemed to belong not to her but to some woman who had yet to live
and suffer, or, perhaps, be happy as some few are in this uneven world.
She had caught, moreover, the trick of slurring from one note to the
other, which must assuredly have been left in Spain by the Moors. It
comes from the Far East. It was probably characteristic of those songs
that they could not sing by the waters of Babylon, when they hanged their
harps upon a tree in the strange land. For it gives to songs, sad or gay,
the minor, low clear note of exile. It rings out unexpectedly in strange
places. The boatmen of the Malabar Coast face the surf singing no other
than the refrain that the Basque women murmur over the cradle. "It keeps
Marcos quiet," said Juanita.
"I suppose," she suggested to Marcos one day when she returned to his
room and found him quiet, "that when you are well enough to ride you will
begin your journeys up and down the valley."
"Yes."
"And your endless watch over the Carlists?"
"They are making good use of their time, I hear," replied Marcos, with
the grave appreciation of a good fighter for a worthy foe.
Juanita remembered this now as she stood on the balcony. For he of the
Short Knife and Marcos were talking politics--those rough and ready
politics of the valley of the Wolf, which dealt but little in words and
very considerably in deeds of a bloody nature.
She could hear Marcos talking of the near future when he should be in the
saddle again. And her eyes grew gloomy and dark with those velvet depths
that lie in hazel eyes when they are grave. Her kingdom was slipping away
from her.
She was standing thus when the sound of a horse's feet caught her
attention. A horseman was coming up the slope from the village to the
castle of Torre Garda.
She looked at him with eyes that had been trained by Marcos in the
holiday times to see great distances in the mountains. Then she turned
and reentered the sick man's room.
"There is another visitor coming to make inquiry into your welfare--it is
Senor Mon."
And she looked for the gleam that immediately lighted Marcos' dark eyes.
Public-domain text, read in full here on John Shaqi.
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