The Venetian Painters of the Renaissance: Third EditionBerenson, Bernard
History
The Venetian Painters of the Renaissance: Third Edition
Berenson, Bernard
Art, Renaissance; Painters -- Italy -- Venice
=Venice.= ACADEMY, 310. Christ and Adulteress.
302. St. Peter enthroned and six other Saints.
315. Assumption of Virgin. L.
QUIRINI-STAMPALIA, SALA IV, Unfinished Portrait of Young Woman. L.
SALA XVII, Portrait of Man.
GIOVANELLI, Sposalizio. L.
S. MARIA FORMOSA, St. Barbara, Altar-piece.
LADY LAYARD, Knight and Lady (a fragment).
=Vicenza.= S. STEFANO, Madonna and Saints.
=Vienna.= 134. John the Baptist.
139. The Visitation, (finished by Cariani.)
140. Santa Conversazione.
143. Portrait of Lady. L.
137. Violante. L.
133, 138, 141, 142, Busts of Women.
329E. Portrait of Old Man.
136. Lucretia.
LICHTENSTEIN, Santa Conversazione.
Holy Family and two female Saints. L.
SEBASTIANO DEL PIOMBO.
1485 circa-1547. Pupil of Giovanni Bellini, Cima, and Giorgione; later,
influenced by Michelangelo.
=Alnwick.= DUKE OF NORTHUMBERLAND, Visitation.
=Berlin.= 237. Pieta. L.
259A. Portrait of a Knight. L.
259B. "Dorothea."
=Broomhall, N. B.= LORD ELGIN, Portrait of Roman Lady.
=Buda-Pesth.= Portrait of Raphael.
=Cracow.= PRINCE CZARTORYSKI, Portrait of (?) Raphael.
=Florence.= UFFIZI, 1123. "Fornarina," 1512.
592. Death of Adonis.
PITTI, 179. Martyrdom of St. Agatha, 1520.
409. Portrait of Man. L.
=Linlathen, N. B.= COL. ERSKINE, Portrait of Cardinal Nincofort. L.
=London.= 1. Resurrection of Lazarus, 1519.
24. Portrait of Lady. L. 1450.
Holy Family and Donor.
MR. BENSON, Portrait of Man. L.
DUKE OF GRAFTON, Carondelet and his Secretaries.
MR. LUDWIG MOND, Portrait of Pietro Aretino.
=Naples.= SALA GRANDE, 56. Portrait of Ecclesiastic. L.
SALA VENETA, 15. Head of Clement VII. L.
SALA DEI CORREGGIO, 2. Holy Family. L.
=Paris.= 1352. Visitation, 1521.
1500. St. John in Desert.
M. ALPHONSE DE ROTHSCHILD, Violin Player.
=Parma.= 302. Clement VII. and a Chamberlain. L.
=Rome.= PRINCE DORIA, Portrait of Andrea Doria. L.
SIG. DEL NERO, Portrait of a Prelate.
FARNESINA, SALA DI GALATEA, Frescoes in 8 lunettes, 1511.
S. MARIA DEL POPOLO, Birth of Virgin. L. (in part.)
S. PIETRO IN MONTORIO, Frescoes first Chapel Right.
=St. Petersburg.= Portrait of Cardinal Pole. L.
=Siena.= PALAZZO SARACINI, Portrait of Man. L.
=Treviso.= S. NICCOLO, Incredulity of Thomas. E.
=Venice.= ACADEMY, 95. Visitation. (?) E.
LADY LAYARD, Pieta. E.
S. BARTOLOMMEO IN RIALTO, SS. Bartholomew, Louis, Sinibald,
and Sebastian, on separate panels. E.
S. GIOVANNI CRISOSTOMO, St. John Chrysostom enthroned, and other
Saints. E.
=Vienna.= 17. Portrait of (?) Cardinal Giulio di Medici.
=Viterbo.= Pieta. L. 1525.
POLIDORO LANZIANI.
1515(?)--1565. Imitator of Titian; influenced by Bonifazio and
Pordenone; later, by Paul Veronese.
=Ashridge.= LORD BROWNLOW, Christ and the Adulteress.
=Badger Hall= (Shropshire). MR. F. CAPEL-CURE, Madonna and kneeling Jerome.
Madonna, St. Elizabeth, and Children.
=Bergamo.= MORELLI, 96. Holy Family.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account