Bergamo. Lochis: Vintage Scenes.
Berlin. Portrait of Man in Black; Chess Players; Madonna and four
Saints.
Dresden. Apollo and Marsyas; Diana; Holy Family.
Florence. Pitti: Portrait of Woman.
Genoa. Brignole Sale: Portraits of Men; Santa Conversazione.
Hampton Court. Madonna and Donors.
London. Daphnis and Chloe; Portrait of Lady.
Bridgewater House: Holy Family.
Milan. Brera: Descent of Holy Spirit; Baptism; S. Dominio presented
to the Saviour by Virgin; Madonna and Saints; Venal Love.
S. Maria pr. Celso: Madonna and S. Jerome.
Munich. Portrait; Man counting Jewels.
Paris. Portraits.
Rome. Colonna: Holy Family and Saints.
Treviso. Madonna and Saints.
Duomo: Adoration of Shepherds; Madonna and Saints.
Venice. Academy: Fisherman and Doge; Paradise; Storm calmed by S. Mark.
Palazzo Ducale Chapel: Dead Christ.
Giovanelli: Madonna and Saints.
S. Giovanni in Bragora; Last Supper.
Vienna. Allegorical Pictures; Lady at Toilet; Young Woman.
CHAPTER XXIII
PAINTERS OF THE VENETIAN PROVINCES
It has become usual to include in the Venetian School those artists from
the subject provinces on the mainland, who came down to try their luck
at the fountain-head and to receive its hallmark on their talent. The
Friulan cities, Udine, Serravalle, and small neighbouring towns, had
their own primitive schools and their scores of humble craftsmen. Their
art wavered for some time in its expression between the German taste,
which came so close to their gates, and the Italian, which was more
truly their element.
Public-domain text, read in full here on John Shaqi.
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