The "Knight of Malta" is a grand magisterial figure, majestic, yet full
of ardent warmth lying behind the grave, indifferent nobility. The face
is bisected with shadow, in the way which Michelangelo and Andrea del
Sarto affected, and the cone-shaped head with parted hair is of the type
which seems particularly to have pleased the painter. To Giorgione, too,
belongs the honour of having created a Venus as pure as the Aphrodite of
Cnidos and as beautiful as a courtesan of Titian.
[Illustration: _Giorgione._
FÊTE CHAMPÊTRE.
_Louvre._
(_Photo, Alinari._)]
The death of Giorgione from plague in 1511 is registered by all the
oldest authorities. His body was conveyed to Castelfranco by members of
the Barbarelli family and buried in the Church of San Liberale. In 1638
an epitaph was placed over his tomb by Matteo and Ercole Barbarelli.
Allowing that he was hardly more than twenty when his new manner began
to gain a following, he had only some twelve years in which to establish
his deep and lasting influence. We divine that he was a man of strong
personality, such a one as warms and stimulates his companions. Even his
nickname tells us something,--Great George, the Chief, the George of
Georges,--it seems to express him as a leader. And we have no lack of
proof that he was admired and looked up to. His style became the only
one that found favour in Venice, and the painters of the day did their
best to conform to it. Few authentic examples are left from his own
hand, but out of his conscious and devoted and more or less successful
imitators, there grew up a school, "out of all those fascinating works,
rightly or wrongly attributed to him; out of many copies from, or
variations on him, by unknown or uncertain workmen, whose drawings and
designs were, for various reasons, prized as his; out of the immediate
impression he made upon his contemporaries and with which he continued
in men's minds; out of many traditions of subject and treatment which
really descend from him to our own time, and by retracing which we fill
out the original image."
Public-domain text, read in full here on John Shaqi.
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