Mystery and detective stories; New York (N.Y.) -- Fiction
Out in the wide places it is like a smile on a dead face, this snow
hush, grateful that peace can be so utter. It is the silence of a broody
God, and out of that frozen pause, in a house tucked up to the sills and
down to the eaves, Sara Turkletaub was prematurely taken with the pangs
of childbirth, and in the thin dawn, without even benefit of midwife,
twin sons were born.
Sturdy sons, with something even in their first crescendo wails that
bespoke the good heritage of a father's love-of-life and a mother's
life-of-love.
No Sicilian sunrise was ever more glossy with the patina of hope
than the iced one that crept in for a look at the wide-faced,
high-cheek-boned beauty of Sara Turkletaub as she lay with her sons to
the miracle of her full breasts, her hair still rumpled with the agony
of deliverance. So sweetly moist her eyes that Mosher Turkletaub, his
own brow damp from sweat of her writhings, was full of heartbeat, even
to his temples.
Long before moontime, as if by magic of the brittle air, the tidings had
spread through the village, and that night, until the hand-hewn rafters
rang, the house of Turkletaub heralded with twofold and world-old fervor
the advent of the man-child. And through it all--the steaming warmth,
the laughter through bushy beards, the ministering of women wise and
foolish with the memory of their own pangs, the shouts of vodka-stirred
men, sheepish that they, too, were part custodians of the miracle of
life--through it all Sara Turkletaub lay back against her coarse bed, so
rich--so rich that the coves of her arms trembled each of its burden and
held tighter for fear somehow God might repent of his prodigality.
That year the soil came out from under the snow rich and malmy to the
plow, and Mosher started heavy with his peddler's pack and returned
light. It was no trick now for Sara to tie her sons to an iron ring in
the door jamb and, her strong legs straining and her sweat willing,
undertake household chores of water lugging, furniture heaving,
marketing with baskets that strained her arms from the sockets as she
carted them from the open square to their house on the outskirts, her
massive silhouette moving as solemnly as a caravan against the sky line.
Rich months these were and easy to bear because they were backed by a
dream that each day, however relentless in its toil, brought closer to
reality.
"America!"
The long evenings full of the smell of tallow; maps that curled under
the fingers; the well-thumbed letters from Aaron Turkletaub, older
brother to Mosher and already a successful pieceworker on skirts in
Brooklyn. The picture postcards from him of the Statue of Liberty! Of
the three of them, Aaron, Gussie, his wife, and little Leo, with donkey
bodies sporting down a beach labeled "Coney." A horrific tintype of
little Leo in tiny velveteen knickerbockers that fastened with large,
ruble-sized, mother-of-pearl buttons up to an embroidered sailor blouse.
Public-domain text, read in full here on John Shaqi.
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