The Vicar of Morwenstow: Being a Life of Robert Stephen Hawker, M.A.Baring-Gould, S. (Sabine)
General
The Vicar of Morwenstow: Being a Life of Robert Stephen Hawker, M.A.
Baring-Gould, S. (Sabine)
Hawker, Robert Stephen, 1803?-1875
Mr. Hawker was a poet of no mean order. His “Quest of the Sangreal,”
which is his most ambitious composition, is a poem of great power, and
contains passages of rare beauty. It is unfortunate that he should have
traversed the same ground as the Poet Laureate. The “Holy Grail” of the
latter has eclipsed the “Quest” of the vicar of Morwenstow. But, if the
two poems be regarded without previous knowledge of the name of their
composers, I am not sure that some judges would not prefer the
masterpiece of the Cornish poet to a piece in which Lord Tennyson
scarcely rises to his true level. In his “Quest of the Sangreal” alone
does the vicar of Morwenstow show his real power. His ballads are
charming; but a ballad is never, and can never be, a poem of a high
order; it is essentially a popular piece of verse, without any depth of
thought; pleasing by its swing and spirit, but not otherwise a work of
art or genius. Mr. Hawker was too fond of the ballad. His first
successes had been won in that line, and he adhered to it till late. A
few sonnets rise to the level of sonnets, also never a very exalted one.
His “Legend of St. Cecily” and “St. Thekla,” somewhat larger poems, are
pleasing; but there is nothing in them which gives token of there lying
in the breast of the Cornish vicar a deep vein of the purest poetical
ore. That was revealed only by the publication of “The Quest of the
Sangreal,” which rose above the smaller fry of ballads and sonnets as an
eagle above the songsters of the grove.
And yet this poem, belonging to the first order, as I am disposed to
regard it, is disappointing—there is not enough of it. The poem is
charged with ideas, crowded with conceptions full of beauty; but it is a
torso, not a complete statue.
The subject of the poem is the Sangreal[37], the true blood of Christ,
gathered by Joseph of Arimathea in a golden goblet from the side of the
Saviour as He hung on the cross. This precious treasure he conveyed to
Britain, and settled with it at Avalon, or Glastonbury.
There it remained till
Evil days came on,
And evil men: the garbage of their sin
Tainted this land, and all things holy fled.
The Sangreal was not. On a summer eve
The silence of the sky brake up in sound;
The tree of Joseph glowed with ruddy light;
A harmless fire curved like a molten vase
Around the bush——
and all was gone.
Public-domain text, read in full here on John Shaqi.
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