The Vicar of Morwenstow: Being a Life of Robert Stephen Hawker, M.A.Baring-Gould, S. (Sabine)
General
The Vicar of Morwenstow: Being a Life of Robert Stephen Hawker, M.A.
Baring-Gould, S. (Sabine)
Hawker, Robert Stephen, 1803?-1875
Ah! native Cornwall! throned upon the hills,
Thy moorland pathways worn by angel feet,
Thy streams that march in music to the sea,
’Mid Ocean’s merry noise, his billowy laugh!
Ah, me! a gloom falls heavy on my soul:
The birds that sang to me in youth are dead.
I think, in dreamy vigils of the night,
It may be God is angry with my land—
Too much athirst for fame, too fond of blood,
And all for earth, for shadows, and the dream,
To glean an echo from the winds of song!
Mr. Hawker’s poems were republished over and over again, with a few, but
only a few, additions.
The pieces written by him as a boy, _Tendrils, by Reuben_, were never
reprinted, nor did they deserve it. He saw that clearly enough.
In 1832 he published his _Records of the Western Shore_; in 1836, the
second series of the same. In these appeared his Cornish ballads.
They were republished in a volume entitled _Ecclesia_, in 1841; again,
with some additions, under the title, _Reeds Shaken by the Wind_, in
1842; and the second cluster of the same in 1843.
They again appeared with “Genoveva,” in a volume called _Echoes of Old
Cornwall_, in 1845. “Genoveva” is a poem founded on the beautiful story
of Geneviève de Brabant, and appeared first in _German Ballads, Songs_,
etc., edited by Miss Smedley, and published by James Burns, no date.
His _Cornish Ballads_, and the _Quest of the Sangreal_, containing
reprints of the same poems, came out in 1869. The _Quest of the
Sangreal_ was first published in 1864.
In 1870 he collected into a volume, entitled _Footprints of Former Men
in Cornwall_, various papers on local traditions he had communicated to
_Once a Week_, and other periodicals.
Of his ballads several have been given in this volume. Two more only are
given here; one, “The Song of the Western Men,” which deceived Sir
Walter Scott and Lord Macaulay into the belief that it was a genuine
ancient ballad.
Macaulay says, in speaking of the agitation which prevailed throughout
the country during the trial of the seven bishops, of whom Trelawney,
Bishop of Bristol, was one, “The people of Cornwall, a fierce, bold and
athletic race, among whom there was a stronger provincial feeling than
in any other part of the realm, were greatly moved by the danger of
Trelawney, whom they reverenced less as a ruler of the Church, than as
the head of an honourable house, and the heir, through twenty descents,
of ancestors who had been of great note before the Normans set foot on
English ground. All over the country the peasants chanted a ballad, of
which the burden is still remembered:—
And shall Trelawney die? and shall Trelawney die?
Then thirty thousand Cornish boys will know the reason why!
The miners from the caverns re-echoed the song with a variation:—
Then thirty thousand underground will know the reason why!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account