Children of clergy -- Fiction; Christian fiction; Fathers and daughters -- Fiction; Scotland -- Fiction
I am afraid I neglected my poor children dreadfully. I seemed for the time
to have no responsibility, and even, I am ashamed to say, little care for
them. But then I knew that they were well attended to: friends were very
kind--especially Judy--in taking them out; and Marion's daily visits were
like those of a mother. Indeed, she was able to mother any thing human
except a baby, to whom she felt no attraction,--any more than to the
inferior animals, for which she had little regard beyond a negative one:
she would hurt no creature that was not hurtful; but she had scarcely an
atom of kindness for dog or cat, or any thing that is petted of woman. It
is the only defect I am aware of in her character.
My husband slowly recovered, but it was months before he was able to do
any thing he would call work. But, even in labor, success is not only to
the strong. Working a little at the short best time of the day with him,
he managed, long before his full recovery, to paint a small picture which
better critics than I have thought worthy of Angelico, I will attempt to
describe it.
Through the lighted windows of a great hall, the spectator catches broken
glimpses of a festive company. At the head of the table, pouring out the
red wine, he sees one like unto the Son of man, upon whom the eyes of
all are turned. At the other end of the hall, seated high in a gallery,
with rapt looks and quaint yet homely angelican instruments, he sees the
orchestra pouring out their souls through their strings and trumpets. The
hall is filled with a jewelly glow, as of light suppressed by color, the
radiating centre of which is the red wine on the table; while mingled
wings, of all gorgeous splendors, hovering in the dim height, are suffused
and harmonized by the molten ruby tint that pervades the whole.
Outside, in the drizzly darkness, stands a lonely man. He stoops listening,
with one ear laid almost against the door. His half-upturned face catches
a ray of the light reflected from a muddy pool in the road. It discloses
features wan and wasted with sorrow and sickness, but glorified with the
joy of the music. He is like one who has been four days dead, to whose
body the music has recalled the soul. Down by his knee he holds a violin,
fashioned like those of the orchestra within; which, as he listens, he is
tuning to their pitch.
To readers acquainted with a poem of Dr. Donne's,--"Hymn to God, my God, in
my sickness,"--this description of mine will at once suggest the origin of
the picture. I had read some verses of it to him in his convalescence; and,
having heard them once, he requested them often again. The first stanza
runs thus:--
"Since I am coming to that holy room
Where with the choir of saints forevermore
I shall be made thy musique, as I come,
I tune the instrument here at the door;
And what I must do then, think here before."
Public-domain text, read in full here on John Shaqi.
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