The Vicomte de Bragelonne; Or, Ten Years Later: Being the completion of "The Three Musketeers" and "Twenty Years After"Dumas, Alexandre
History
The Vicomte de Bragelonne; Or, Ten Years Later: Being the completion of "The Three Musketeers" and "Twenty Years After"
Dumas, Alexandre
Adventure stories; France -- History -- Louis XIV, 1643-1715 -- Fiction; Historical fiction
Two women, whose figures were completely concealed by their mantles, and
whose masks effectually hid the upper portion of their faces, timidly
followed Manicamp's steps. On the first floor, behind curtains of red
damask, the soft light of a lamp, placed upon a low table, faintly
illumined the room, at the other extremity of which, on a large bedstead
supported by spiral columns, around which curtains of the same color as
those which deadened the rays of the lamp had been closely drawn, lay De
Guiche, his head supported by pillows, his eyes looking as if the mists
of death seemed gathering there; his long black hair, scattered over the
pillow, set off the young man's hollowed and pale temples to great
advantage. It could be easily perceived that fever was the principal
occupant of that chamber. Guiche was dreaming. His wandering mind was
pursuing, through gloom and mystery, one of those wild creations which
delirium engenders. Two or three drops of blood, still liquid, stained
the floor. Manicamp hurriedly ran up the stairs, but paused at the
threshold of the door, looked into the room, and, seeing that everything
was perfectly quiet, he advanced toward the foot of the large leathern
armchair, a specimen of furniture of the reign of Henry IV., and seeing
that the nurse, as a matter of course, had dropped off to sleep, he
awoke her, and begged her to pass into the adjoining room. Then,
standing by the side of the bed, he remained for a moment deliberating
whether it would be better to awaken Guiche, in order to acquaint him
with the good news. But as he began to hear behind the door the rustling
of the silk dresses and the hurried breathing of his two companions,
and as he already saw that the curtain which hung before the doorway
seemed on the point of being impatiently drawn aside, he passed round
the bed and followed the nurse into the next room. As soon as he had
disappeared, the curtain was raised, and his two female companions
entered the room he had just left. The one who entered the first made a
gesture to her companion which riveted her to the spot where she stood,
close to the door, and then resolutely advanced toward the bed, drew
back the curtains along the iron rod, and threw them in thick folds
behind the head of the bed. She gazed upon the comte's pallid face,
remarked his right hand enveloped in linen whose dazzling whiteness was
increased by the counterpane covered with dark leaves which was thrown
across a portion of the sick couch. She shuddered as she saw a spot of
blood becoming larger and larger upon the linen bandages. The young
man's white chest was quite uncovered, as if the cool night air would
assist his respiration. A small bandage fastened the dressings of the
wound, around which a bluish circle of extravasated blood was gradually
increasing in size. A deep sigh broke from her lips. She leaned against
one of the columns of the bed, and gazed, through the holes in her mask,
upon the harrowing spectacle before her.
Public-domain text, read in full here on John Shaqi.
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