England -- Fiction; Interpersonal relations -- Fiction
“Of course,” she said more mildly, “you mustn’t think I mind for
myself.” (What jealous person has ever minded for themselves? It is the
lowering of the beloved object which afflicts them most—and the beloved
object is always lowered by a shared dominion.) “People do not as a rule
care to have their houses used for other people’s meetings, without
their consent, but I overlook all that. Has it never occurred to you
what a scandal such performances produce? No doubt you are being talked
about all over Ticklington at this moment. If your parents knew of it
they would very rightly prevent your coming here again. And since it is
my house I am in a sense responsible for you. I have never been placed
in such an invidious position in my life—and by _you_, Elsie!”
Elsie was in tears now. She picked up the muff again, and wept bitterly
into it. She was not an easy crier and the fur choked her.
“I didn’t mean any harm,” she sobbed. “We only played ‘Over the Sea to
Skye.’ I don’t see why people should talk about it.”
“You were alone here with Peter in my absence,” said Onoria coldly.
“That is what they will talk about.”
It was very unfair of Onoria to say this because she was constantly
alone with Peter herself, and nobody in Little Ticklington had ever
talked about it. Nobody in Little Ticklington thought any more about
being alone with Peter than they would have thought of being alone with
Prendergast.
“I am speaking for your own good,” added Onoria, more gently and even
less truthfully, for like most people who think they are speaking for
the good of others, she was merely speaking to relieve her own spiteful
feelings.
The sight of Elsie’s tears softened her a little, but she mistook their
meaning. They were not tears of penitence, as Onoria believed—they were
the tears of an outraged sense of justice.
“I don’t see what particular good you think this is going to do me!”
Elsie observed between her sobs. Onoria opened her mouth to reply and
then shut it again. It took time to produce any tangible advantage to
Elsie out of the vortex of her own bad temper—finally, however, she did
produce it.
“I hope it will check you!” she said with dignity. “Before you do
something more compromising still.
“My advice to you is not to see Peter Gubbins again. I will deal with
him later, and let him know what I think of him for taking advantage of
a young and I _hope_ innocent girl!”
“I don’t see where the advantage comes,” persisted Elsie, who had
unaccountably stopped crying, “if he isn’t to sing his songs any more.”
“Don’t be puerile!” said Onoria sharply. “You know perfectly well what I
mean. None of your green girl prevarications with me!”
“No I don’t,” replied Elsie with astounding obstinacy.
“You’ve often told me, it was always women who took advantage of men,
and dragged them into things, and then complained about them afterwards.
Well, if it is—Peter couldn’t have dragged me into anything, could he?
And I’m _not_ complaining!”
Public-domain text, read in full here on John Shaqi.
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