Man-woman relationships -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
Men being exempt from the matchmaking mania, Isabey had not
magnanimously thought of some other man whom Adrienne might bless
until that very day when on his ride to Harrowby he had reflected
upon Richard Tremaine’s frankly expressed admiration for her, and
wondered if something more might not come of it. And at the same time
he thought, with a mingling of rage and amusement in his heart, that
from the hour he found that he could go to Harrowby, Angela’s face
and her slim figure had been continually before him. Poor child! What
fate might be hers! He had seen enough, and surmised more during that
first visit at Harrowby, to suspect that Angela had arranged a loveless
marriage for herself just as a loveless marriage had been arranged for
Adrienne by others.
And then Isabey, manlike, began to feel genuine self-pity for himself.
Here, at last, in this quiet Virginia country house, had he met the
woman who could awaken his interest and perhaps stir his heart, and she
had been married one week before he met her. These thoughts returned
to him as he sat watching Angela in the corner of the sofa fanning
herself slowly and gracefully with a great, green fan.
Isabey told her of Richard’s doings at the instruction camp and spoke
of him with admiration. “I thought I knew Richard Tremaine well, and
as you know, when two youngsters have chummed together as Tremaine
and I did at the university and in Paris, they haven’t usually an
overwhelming admiration for each other, but it is impossible not to
recognize Tremaine’s capacity. It appears greater whenever there is
a great opportunity. He has it now and you will see this time next
year he will be known as one of the best artillery officers in the
Confederate Army.”
Angela was once more impressed by the studied correctness of Isabey’s
speech, which, however much he might be master of English, showed that
it was not his native language, and this added still more to his charm,
serving as it did to differentiate him from all other men she had ever
known in her life.
Upon the wall opposite them hung a fanciful painting of Neville and
Richard when they were little boys in white frocks. According to the
sentimental fashion of the time, they were represented as doing what
they had never done in their lives. Richard, sitting upon a bank of
violets, held a bird cage with a bird in it, at which Neville was
throwing roses. The picture had a quaint prettiness upon which Isabey
remarked, asking if they were portraits of the two brothers.
“Yes,” answered Angela. “The one with the bird cage is Richard and the
other is my--my husband.”
Public-domain text, read in full here on John Shaqi.
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