Man-woman relationships -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
Adrienne had few resources, music being the chief. But with natural
tact she forbore from spending long hours at the piano, which she
would have done in her own home. Her taste for reading lay in a
few pessimistic French poets and romancers, but even with these,
the time was heavy on her hands. She had found life disappointing
from the first. Formed for love, her first marriage had been as
loveless as it was respectable. Then had come a mortal wound to her
pride--when she was free Isabey no longer cared. It was not as if
they had been separated and her image had gradually faded from his
mind; they had been thrown constantly together during the seven years
of her widowhood, and all their world was continually suggesting
the appropriateness of their marriage. So that the idea of it was
necessarily before Isabey’s mind, yet he had spoken no word, and
Adrienne felt a sad certainty that no word would be spoken by him.
She had a quiet pride which not even jealousy could lash into
resentment. She saw the sudden witchery which this nineteen-year-old
Angela, this wife who was no wife, had cast over Isabey, and did not
wonder at it. Angela was to Adrienne as much an unknown quantity as she
herself was to Angela. Adrienne felt herself robbed of something which
could be of no use to Angela, who possessed it, and Adrienne was thirty
with her youth behind her while Angela, not yet twenty, was entering
upon those ten years which to most women count for more than all that
has gone before or can come after.
The most unfailing courtesy prevailed between these two women. They
exchanged small kindnesses, spent some hours of every day together in
feminine employment, but a great gulf lay between them.
Angela felt instinctively and intuitively the things which Adrienne
knew, and reasoned upon them calmly and sadly. Adrienne had everything
and yet she had nothing. A still and mortal antagonism had been growing
steadily from the first between the women, but not the smallest
indication of it was given in manner or behavior. Both were women of
the highest breeding, and each was secretly ashamed of the ignoble
passion of jealousy which possessed them, and had the art to conceal it.
Something of what each suffered was dimly suspected by the other and
was actually known to one person--Lyddon. Of the two, he felt more
sorry for Adrienne, torn from a life of gayety brightened by art and
music, and transplanted like an exquisite exotic into the depths of a
sunless forest. He felt acutely sorry for her and tried in many ways
to lighten the burden of _ennui_ which he suspected, in spite of her
composure, lay heavy upon her. But there was no common ground between
them.
Lyddon, observing Angela day by day, saw her, as it were, growing up.
In January she had been a child: in July she was a woman with more
problems and perplexities weighing upon her than happen to most women
during the course of a long life.
Public-domain text, read in full here on John Shaqi.
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