Man-woman relationships -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
Adrienne, too, wrote, and her letters were more interesting though
less expansive than Madame Isabey’s. These first letters had been
written in ignorance of Isabey’s arrival at Harrowby, but when that was
known Madame Isabey expressed the greatest solicitude, and would have
come back instantly except for the impassability of the roads between
Richmond and Harrowby.
Adrienne received in a letter from Angela the news of Isabey’s presence
at Harrowby one night just as she was dressing to go to a levee at the
White House, where she was certain to be courted and admired by all,
from the grave-faced President down to the boy lieutenants, who rode
from camp into Richmond for an evening’s pleasuring. It was, perhaps,
the knowledge that Isabey and Angela were together which brought the
color to Adrienne’s lips and cheeks and the light to her eyes. She
realized, as women do, the marked admiration she excited, the way in
which the eyes of the Confederate officers followed her slight figure
in her pale-blue draperies with diamonds in her hair and on her breast.
If only her vanity had been wounded by Isabey’s coldness to her charms
it would have been soothed by the flattering attentions lavished upon
her. But Adrienne’s wound was deeper than that. While she was receiving
with soft and smiling grace the compliments and gallant speeches of
young officers and the more insidious flattery of older men, she was
like that Spanish lover whose body was at Cordova, but whose soul was
at Seville.
Angela’s letter had described quite naturally and prettily how each day
passed at Harrowby, and Adrienne had no difficulty in calling up the
scene. At that time in the evening they were all sitting in the study
in order to keep Isabey company. Lyddon was probably reading to him
while Angela did needlework and--and Colonel Tremaine dozed during the
reading and waked up to compliment Lyddon upon his “instructive and
entertaining performance.”
Public-domain text, read in full here on John Shaqi.
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