The Viking Age. Volume 2 (of 2): The early history, manners, and customs of the ancestors of the English-speaking nationsDu Chaillu, Paul B. (Paul Belloni)
History
The Viking Age. Volume 2 (of 2): The early history, manners, and customs of the ancestors of the English-speaking nations
The people, and especially the chiefs, took great pride in the
appearance of their ships, both in regard to ornamentation and sails,
and kept them well painted. We may form an idea of the labour bestowed
on their embellishment, from the carved pieces of wood found on board of
the Gokstad ship;[135] what, then, must it have been on such ships as
the long serpent and others mentioned in the Sagas?
Insignificant objects are adorned with exquisite and tasteful designs.
Some of them seem to have been designed without the aid of mechanical
appliances, and others before being engraved must have had their
drawings traced with compasses, &c.
The dragons were gilt, both on the stem and stern, or covered with thin
sheets of gold, thus presenting a magnificent appearance as they sailed
with the sun shining upon them. These and other ornaments which were
placed on a ship were not fixed on till it had left the rollers and was
in the water.
“Olaf had a ship made in the winter, called Visund (the bison-ox), which
was larger than any other. On its prow there was the head of a bison,
gilt” (St. Olaf, c. 154).
“King Olaf had a ship called Karlhöfdi (man’s head); on its prow was a
king’s head, which he himself had carved. That head was for a long time
afterwards used in Norway on ships steered by chiefs” (St. Olaf, c. 45).
“Rand had a large dragon, with a gold-ornamented head, which had thirty
large rooms” (Olaf Tryggvason’s Saga, c. 85).[136]
On the top of the belfry (clock-tower) in Ghent is found the figure of a
dragon, of which a woodcut is here given (p. 152). It consists of gilded
copper-plates, nailed on a kind of iron skeleton. The back between the
wings is open.[137]
* * * * *
As King Sigurd was ready to go home, we read—
“Thereupon King Sigurd made ready for his journey homeward. He gave the
Emperor all his ships, and there were gold ornamented heads on the ship
which the king had steered; they were put on Peter’s church. There they
may be yet (_i.e._ 1220–1240‘)”’ (Sigurd Jorsalafari’s Saga, c. iii.,
Heimskringla’s text).
The date here given is that of Norri Sturluson.
* * * * *
Beautiful sails were highly prized; these were generally made of
_vadmal_, or coarse woollen stuff. The Sagas often mention that they
were striped, of different colours, red, blue and green,[138] being
sometimes embroidered and beautifully lined with fur; but some were as
white as the newly-fallen snow. They were square, and consequently good
speed could only be attained with fair wind.
The following poetical names were given to sails:—The cloak of the wind;
the tapestry of the masthead; the sheet spun by women; the cloth of the
wind; the beard of the yard; the fine shirt of the tree (mast).
[Illustration:
Fig. 933.—Runic stone, Hallingbo, Götland, 3 feet 9 inches above
ground.
]
Public-domain text, read in full here on John Shaqi.
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