Brothers -- Fiction; Peasants -- Russia -- Fiction; Russia -- Fiction; Russia -- History -- Revolution, 1905-1907 -- Fiction
In the deadly melancholy which poisoned his soul at the beginning of
his illness, Kuzma had raved about the bullfinch, Klasha, Voronezh. But
even in his delirium the thought had never left him that he must tell
some one that they must show pity on him in one respect--they must not
bury him in Kolodezy. But, my God! was it not madness to hope for pity
in Durnovka? Once he came to himself in the morning, when the fire was
being made in the stove--and the simple, quiet voices of Koshel and the
Bride seemed to him pitiless, alien, and strange, as the life of well
people always appears pitiless, alien, strange to a sick person. He
tried to call out, to ask for the samovar--but remained dumb and almost
fell to weeping. The angry whisper of Koshel became audible--discussing
him, the sick man, of course--and the Bride’s abrupt reply: “Well,
all’s up with him! He’ll die--and be buried....”
Then his melancholy began to abate. The sun, declining to the west,
shone through the windows, athwart the bare branches of the acacias.
The tobacco smoke hung in a blue cloud. Beside the bed sat the aged
medical man, redolent of drugs and frosty freshness, pulling icicles
from his mustache. On the table the samovar was bubbling, and Tikhon
Ilitch, tall, grey, severe, was brewing aromatic tea as he stood by it.
The medical man drank eight or ten glasses, talked about his cows, the
price of flour and butter; Tikhon Ilitch described how wonderful, how
expensive, Nastasya Petrovna’s funeral had been, and how glad he was
that at last he had found a purchaser for Durnovka. Kuzma understood
that Tikhon Ilitch had just come from the town, that Nastasya Petrovna
had died there suddenly, on her way to a railway station; he understood
that the funeral had cost Tikhon Ilitch frightfully dear, and that he
had already taken earnest-money for Durnovka--and he was completely
indifferent.
XI
Public-domain text, read in full here on John Shaqi.
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