Clergy -- Fiction; France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
Though the day had been insupportably hot, the storms which during
this year devastated parts of Europe and of France but respected the
Limousin, had run their course in the basin of the Loire, and the
atmosphere was singularly clear. The sky was so pure that the eye could
seize the slightest details on the horizon. What language can render the
delightful concert of busy sounds produced in the village by the return
of the workers from the fields? Such a scene, to be rightly given, needs
a great landscape artist and also a great painter of the human face.
Is there not, by the bye, in the lassitude of Nature and that of man a
curious affinity which is difficult to grasp? The depressing heat of a
dog-day and the rarification of the air give to the least sound made by
human beings all its signification. The women seated on their doorsteps
and waiting for their husbands (who often bring back the children)
gossip with each other while still at work. The roofs are casting up
the lines of smoke which tell of the evening meal, the gayest among the
peasantry; after which, they sleep. All actions express the tranquil
cheerful thoughts of those whose day’s work is over. Songs are heard
very different in character from those of the morning; in this the
peasants imitate the birds, whose warbling at night is totally unlike
their notes at dawn. All nature sings a hymn to rest, as it sang a hymn
of joy to the coming sun. The slightest movements of living beings seem
tinted then with the soft, harmonious colors of the sunset cast upon the
landscape and lending even to the dusty roadways a placid air. If any
dared deny the influence of this hour, the loveliest of the day, the
flowers would protest and intoxicate his senses with their penetrating
perfumes, which then exhale and mingle with the tender hum of insects
and the amorous note of birds.
Public-domain text, read in full here on John Shaqi.
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