Clergy -- Fiction; France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
“You have often been very stern to me, dear pastor, but at this moment I
see where you keep your apostolic gentleness. You,” she said, looking at
the archbishop, “you, the supreme head of this corner of God’s kingdom,
be to me, in this moment of ignominy, a support. I must bow down as the
lowest of women, but you will lift me up pardoned and--possibly--the
equal of those who never sinned.”
The archbishop was silent, weighing no doubt all the considerations his
practised eye perceived.
“Monseigneur,” said the rector, “religion has had some heavy blows. This
return to ancient customs, brought about by the greatness of the sin and
its repentance, may it not be a triumph we have no right to refuse?”
“But they will say we are fanatics! They will declare we have exacted
this cruel scene!”
And again the archbishop was silent and thoughtful.
At this moment Horace Bianchon and Roubaud entered the room, after
knocking. As the door opened Veronique saw her mother, her son, and all
the servants of the household on their knees praying. The rectors of
the two adjacent parishes had come to assist Monsieur Bonnet, and also,
perhaps, to pay their respects to the great prelate, for whom the
French clergy now desired the honors of the cardinalate, hoping that
the clearness of his intellect, which was thoroughly Gallican, would
enlighten the Sacred College.
Horace Bianchon returned to Paris; before departing, he came to bid
farewell to the dying woman and thank her for her munificence. Slowly he
approached, perceiving from the faces of the priests that the wounds of
the soul had been the determining cause of those of the body. He took
Madame Graslin’s hand, laid it on the bed and felt the pulse. The deep
silence, that of a summer night in a country solitude, gave additional
solemnity to the scene. The great salon, seen through the double doors,
was lighted up for the little company of persons who were praying there;
all were on their knees except the two priests who were seated and
reading their brevaries. On either side of the grand state bed were the
prelate in his violet robes, the rector, and the two physicians.
“She is agitated almost unto death,” said Horace Bianchon, who, like all
men of great talent, sometimes used speech as grand as the occasion that
called it forth.
The archbishop rose as if some inward impulse drove him; he called to
Monsieur Bonnet, and together they crossed the room, passed through the
salon, and went out upon the terrace, where they walked up and down
for some moments. When they returned, after discussing this case of
ecclesiastical discipline, Roubaud met them.
XXI. CONFESSION AT THE GATES OF THE TOMB
At ten o’clock in the morning the archbishop, wearing his pontifical
robes, came into Madame Graslin’s chamber. The prelate, as well as the
rector, had such confidence in this woman that they gave her no advice
or instructions as to the limits within which she ought to make her
confession.
Public-domain text, read in full here on John Shaqi.
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