The Vintage: A Romance of the Greek War of IndependenceBenson, E. F. (Edward Frederic)
History
The Vintage: A Romance of the Greek War of Independence
Benson, E. F. (Edward Frederic)
Greece -- History -- War of Independence, 1821-1829 -- Fiction
"The Turk made the breakwater," he said, "but God and the holy saints,
having the Greeks in mind, were the designers. Hide yourselves ever so
thickly among these beautiful great stones, like anchovies in a barrel,
and when the ship turns into the harbor we will all talk loud to it
together. The water is very deep here; they will sail close to our
anchovy barrel, and they will see none of us till they turn the corner,
for the breakwater which God planned hides us from the sea."
He called up one division of Messenians to join the Arcadian corps,
leaving the other to guard the beach, and the sixteen hundred men
ranged themselves among the blocks of masonry along the inside of the
breakwater, so that until the ships turned the corner not one could be
seen, but once round they would be exposed to a broadside of muskets at
close range from marksmen concealed by the stones. Niketas himself--for
the foremost ship was now not more than a few hundred yards
out--crawled with infinite precaution to the end of the breakwater, and
smilingly watched its unsuspicious approach. It carried, he saw, many
heavy guns; but that was a small matter.
The wind was now light, and the ship was nearly opposite the end of
the breakwater when she began to take in sail, and a moment afterwards
her helm was put hard aport, and she slowly swung round, crumpling the
smooth water beneath her bow, and came straight alongside the wall at a
distance of not more than fifty yards. Niketas had told the men to fire
exactly when the ship came opposite them. She would pass slowly down
the line, and would be raked fore and aft again and again as she went
along.
Sixteen hundred men were crowded like swarming bees among the lumps
of tumbled stone. As many muskets waited hungrily. Overhead, above
the shelter of the breakwater, hummed the breeze; the little wavelets
tapped on the edge of the masonry; the stage was ready.
Public-domain text, read in full here on John Shaqi.
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