The Violin: Its Famous Makers and Their ImitatorsHart, George
History
The Violin: Its Famous Makers and Their Imitators
Hart, George
Violin -- History; Violin makers -- Biography
When Louis Spohr was in London in 1820, he tells us, in his
Autobiography, he received a letter couched in the following terms:
"Mr. Spohr is requested to call upon Dr. ---- to-day at four o'clock."
"As I did not know the name of the writer," he proceeds to relate,
"nor could ascertain from the servant the purpose for which my
attendance was requested, I replied, in the same laconic tone, 'At the
hour named I am engaged, and cannot come.' The next morning the
servant reappeared, bearing a second and more polite note: 'Mr. Spohr
is requested to favour Dr. ---- with a visit, and to appoint the hour
when it will be convenient for him to call.' The servant had been
instructed to offer me the use of his master's carriage, and having in
the meantime discovered that the gentleman was a celebrated physician,
a patron of music, and a lover of Violins, I drove to his house. A
courteous old gentleman with grey hair met me on the stairs.
Unfortunately he neither understood French nor German, consequently we
were unable to converse together. We stood for a moment somewhat
embarrassed, when he took my arm and led me into a large room, on the
walls of which hung a great number of Violins. Other Violins had been
removed from their cases and placed on the tables. The Doctor gave me
a Violin-bow, and pointed to the instruments. I now perceived that he
was desirous of having my opinion of the instruments. I, therefore,
played upon them, and placed them in order, according to my idea of
their merit. When I had selected the six most valuable ones, I played
upon them alternately in order to discover the best of the half-dozen.
Perceiving that the doctor cast upon one instrument glances especially
tender whenever I played upon it, I gladly afforded the good old man
pleasure by declaring it to be the best Violin. When I took my hat to
leave, the old gentleman, with a kind smile, slipped a five-pound note
into my hand. Astonished, I looked at it, and also at the Doctor, not
knowing at first what he meant; but suddenly it occurred to me that it
was intended as a fee for having examined his Violins. I smilingly
shook my head, laid the note on the table, pressed the Doctor's hand,
and descended the stairs. Some months later, upon the occasion of my
benefit concert, the Doctor procured a ticket, for which he sent a
ten-pound note."
THE ETTRICK SHEPHERD AND THE VIOLIN.
Public-domain text, read in full here on John Shaqi.
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